Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Hard Bop, Soul-Jazz
Tracklist:
A1. All Day Long 10:25 A2. The Champ 8:30 B. The Sermon 20:20 C1. Midnight Special 9:50 C2. When Johnny Comes Marching Home 8:00 D1. Can Heat 5:20 D2. Flamingo 8:00 D3. Prayer Meetin' 6:00
General notes about this release (please note: our version may differ a little. see the comments above):
Blue/white Blue Note labels with rim text "BLUE NOTE RECORDS • A DIVISION OF LIBERTY RECORDS, INC." it is also a label variation: the writers credits per track are printed right under the track titles and not next to them. Also, the fonts used for the cat.nrs., main artist name and album title differ from this version, it's immediately clear when checked with an A/B comparison [see and compare images.
Printed inside gatefold: "tracks A1 and A2 are electronically rechanneled" - this was done to create fake stereo, which can be heard with headphones.
Recording dates and places:
A1: Manhattan Towers, NYC, February 12, 1957
A2: Rudy Van Gelder Studio, Hackensack, NJ, March 27, 1956
B: Manhattan Towers, NYC, February 25, 1958
C1: Rudy Van Gelder Studio, Englewood Cliffs, NJ, April 25, 1960
C2: Rudy Van Gelder Studio, Englewood Cliffs, NJ, January 4, 1960
D1: Rudy Van Gelder Studio, Englewood Cliffs, NJ, February 7, 1963
D2: Manhattan Towers, NYC, February 25, 1958
Published By – Prestige Music Co. - A1
Published By – Atlantic Music Corp. - A2
Published By – Edmy Music - B, C1, D1, D3
Published By – Tempo Music Inc. D2
Barcode and Other Identifiers:
Matrix / Runout BNST-89901-1 Matrix / Runout BNST-89901-2 Matrix / Runout BNST-89901-3 Matrix / Runout BNST-89901-4 Matrix / Runout BNST-89901-1 Matrix / Runout BNST-89901-2 Matrix / Runout BNST-89901-3 (2) Matrix / Runout BNST-89901-4 (2) Rights Society ASCAP Rights Society BMI
Record Company Blue Note Records Inc. Record Company Liberty Records, Inc. Published By Prestige Music Co. Published By Atlantic Music Corp. Published By Edmy Music Published By Tempo Music Inc. Recorded At Manhattan Towers Recorded At Van Gelder Studio, Hackensack, New Jersey Recorded At Van Gelder Studio, Englewood Cliffs, New Jersey
