Joachim Ernst Berendt - Was Ist Jazz? (2xLP, Comp)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
tear at opening sleeve!
€10,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

Including tax. Shipping costs are calculated at checkout

×

Shipping Policy

How long shipping takes depends on your address and the shipping method you selected. Shipping within the Netherlands, Belgium and Germany takes 1 to 2 days, while international shipping can take 1 to 4 weeks. You will receive a tracking code once we have shipped your order so you can follow the delivery status.

1 in stock

Would you like to give this record as a gift?

Pickup available at Vinyleers warehouse (open on weekdays)
Usually ready within 24 hours

Genre: Jazz, Rock, Blues, Non-Music
Style: Radioplay, Education, Spoken Word

General notes about this release (please note: our version may differ a little. see the comments above):

Gatefold sleeve

Plattenbeispiele Seite A:
- Duke Ellington: C Jam Blues (1942) - Honky Tonk
- George Duke: Giant Child Within Us (1975)
- Louis Armstrong: Ain't Misbehavin' (1947)
- Benny Goodman Orchestra: Jam Session (1936)
- Albert Mangelsdorff (mit Elvin Jones, Schlagzeug): The Up And Down Man (1975) - Westafrican Drums
- Große Truppenparade: Friedericus Rex
- Erroll Garner: I Only Have Eyes For You (1974)
- Mozart: Don Giovanni, Finale 1.Akt
- Alexander von Schlippenbach (Jackie Liebezeit und Mani Neumeier, Schlagzeug): Globe Unity (1966)
- Alphonse Mouzon: Jazz Rock Improvisation (1976)
- George Gruntz, Sahib Shihab, Jean-Luc Ponty, The Bedouins: Noon In Tunisia (1967)
- Hans Ludwig Schilling: Canzona (Robert Bodenröder, Trompete)
- Louis Armstrong: Lovely Weather (1947)
- Dizzy Gillespie: The Things Are Here (1968)
- Maynard Ferguson: Whisper Not (1967) - Tarantella Alla Pfeifer
- Johnny Hodges: Lil' Darlin' (1964)
- Lee Konitz: Danke For The Memory (1968)
- Charlie Mariano: Thorn Of A White Rose (1967)

Plattenbeispiele Seite B:
- Careless Love Blues als Salonstück - George Lewis Band: Careless Love (1955)
- Perdito: Thema, Harmonien, Improvisationen - Ben Webster Meets Don Byas: Perdito (1968)
- Original Tuxedo "Jass" Band: New Orleans Funeral (1964)
- Tremble Kids: When You're Smiling (1971)
- Bix Beiderbecke And His Orchestra: Deep Down South (1930)
- Albert Ammons-Pete Johnson: Boogie Woogie Man

Plattenbeispiele Seite C:
- Benny Goodman Orchestra, Arr. Fletcher Henderson: Down South Camp Meeting (1936)
- Duke Ellington And His Orchestra: Concerto For Cootie (Solist: Cootie Williams) (1940)
- Dizzy Gillespie Big Band: Things To Come - Lee Konitz: Honeysuckle Rose (1968)
- Charles Mingus: Wednesday Night Prayer Meeting (1959)
- Ornette Coleman: Eventually (1961)
- Sun Ra And His Intergalactic Research Arkestra: Myth Versus Reality (Sun Ra, Sythesizer) (1970)
- John Handy-Ali Akbar Khan: Ganesha's Jubilee Dance (1975)
- Gunter Hampel (Flöte) / Pierre Favre (Percussion): The Barriers (1976)
- Joachim Kühn (mit Terumasa Hino, Trompete; Alphonse Mouzon, Schlagzeug; Nana Vasconcelos, Percussion): First Frisco (1975)
- Alphonse Mouzon (mit Stu Goldberg, Synthesizer): Nyctophobia (1976)
- Joachim Kühn (Piano und Solina String Ensemble): Travelling Love (1975)
- Charlie Mariano (mit Jan Hammer, Synthesizer und Elektrisches Piano): Neverglades Pixie (1976)
- Charlie Mariano (Sopransaxophon) / Jan Hammer (Piano): Charlotte (1976)

Plattenbeispiele Seite D:
- Fred McDowell: Been Drinking Water - Beispiele zur Blues-Form
- Mose Allison: Nothing But The Blues
- Ma Rainey: Countin' the Blues (1924)
- Jimmy Rushing: Fine And Mellow (mit Ray Nance, Kornett)
- Freddie Hubbard: Blues For Duane (1969)
- Willie Dixon's Chicago Blues All Stars (with Sunnyland Slim, Piano; Big Walter Shakey Horton, Harmonika): Little Boy Blues (1969)
- Joe Turner: Shake, Rattle + Roll (1954)
- Alphonse Mouzon (mit Gary Bartz, Altsaxophone): Masterfunk (1976)
- Aretha Franklin: Amazing Grace (mit Southern California Community Choir, aufgenommen in den New Temple Missionary Baptist Church Los Angeles) (1972)
- Madam Mattie Wigley & Congregation: Power
- Stars Of Faith: Swing Low Sweet Chariot (1969)
- George Duke: Uncle Remus (1975)
- Charlie Mariano (mit John Marshall, Schlagzeug): Helen12trees
- Fats Waller And His Band: Let's Break the Good News (1938)
- Archie Shepp: Live at the Donaueschingen Music Festival (1967)
- Dave Brubeck Quartet: Perdido (1953)
- Dizzy Gillespie Reunion Big Band: Things to Come


 

. Elemente Des Jazz: Rhythmus, Swing - Tonbildung A.1. Duke Ellington - C Jam Blues A.2. George Duke - Giant Child Within Us A.3. Louis Armstrong - Ain't Misbehavin' A.4. Benny Goodman And His Orchestra - Jam Session A.5. Albert Mangelsdorff - The Up And Down Man A.6. Unknown Artist - Große Truppenparade: Friedericus Rex A.7. Erroll Garner - I Only Have Eyes For You A.8. Wolfgang Amadeus Mozart - Don Giovanni, Finale 1.Akt A.9. Alexander von Schlippenbach - Globe Unity A.10. Alphonse Mouzon - Jazz Rock Improvisation A.11. George Gruntz, Sahib Shihab, Jean-Luc Ponty, The Bedouins (3) - Noon In Tunisia A.12. Hans-Ludwig Schilling - Canzona A.13. Louis Armstrong - Lovely Weather A.14. Dizzy Gillespie - The Things Are Here A.15. Maynard Ferguson - Whisper Not A.16. Johnny Hodges - Lil' Darlin' A.17. Lee Konitz - Danke For The Memory A.18. Charlie Mariano - Thorn Of A White Rose . Elemente Des Jazz (Forts.): Tonbildung Und Improvisation - Kurzgeschichte Des Jazz In 20 Beispielen: Ragtime, New Orleans, Dixieland, Chicago Stil, Boogie-Woogie B.1. George Lewis Band - Careless Love B.2. Ben Webster, Don Byas - Perdito B.3. Original Tuxedo Jazz Orchestra - New Orleans Funeral B.4. The Tremble Kids - When You're Smiling B.5. Bix Beiderbecke And His Orchestra - Deep Down South B.6. Albert Ammons, Pete Johnson - Boogie Woogie Man . Kurzgeschichte Des Jazz In 20 Beispielen (Forts.): Swing-Stil, Bebop, Cool, Free, Jazz-Rock C.1. Benny Goodman And His Orchestra - Down South Camp Meeting C.2. Duke Ellington And His Orchestra - Concerto For Cootie C.3. Dizzy Gillespie Big Band - Things To Come C.4. Lee Konitz - Honeysuckle Rose C.5. Charles Mingus - Wednesday Night Prayer Meeting C.6. Ornette Coleman - Eventually C.7. The Sun Ra Arkestra - Myth Versus Reality C.8. John Handy, Ali Akbar Khan - Ganesha's Jubilee Dance C.9. Gunter Hampel, Pierre Favre - The Barriers C.10. Joachim Kühn - First Frisco C.11. Alphonse Mouzon - Nyctophobia C.12. Joachim Kühn - Travelling Love C.13. Charlie Mariano - Neverglades Pixie C.14. Charlie Mariano - Charlotte . Blues Und Gospelsong Als Rückgrat Der Jazzentwicklung - Definition Des Jazz D.1. Fred McDowell - Been Drinking Wate D.2. Mose Allison - Nothing But The Blues D.3. Ma Rainey - Countin' the Blues D.4. Jimmy Rushing - Fine And Mellow D.5. Freddie Hubbard - Blues For Duane D.6. Willie Dixon, Chicago Blues All Stars - Little Boy Blues D.7. Big Joe Turner - Shake, Rattle + Roll D.8. Alphonse Mouzon - Masterfunk D.9. Aretha Franklin - Amazing Grace D.10. Madam Mattie Wigley & Congregation - Power D.11. The Stars Of Faith - Swing Low Sweet Chariot D.12. George Duke - Uncle Remus D.13. Charlie Mariano - Helen12trees D.14. Fats Waller And His Big Band - Let's Break the Good News D.15. Archie Shepp - Live at the Donaueschingen Music Festival D.16. The Dave Brubeck Quartet - Perdido D.17. The Dizzy Gillespie Reunion Big Band - Things to Come

 

Barcode and Other Identifiers:

Rights Society GEMALabel Code LC 0979Matrix / Runout 0088.032-2 - 1 A (0701.837 S 1)Matrix / Runout 0088.032-2 - 1 B (0701.837 S 2)Matrix / Runout 0088.032-2 - 2 A (0701.838 S 1)Matrix / Runout 0088.032-2 - 2 B (0701.838 S 2)Matrix / Runout 0701 837 S1 320 DMatrix / Runout 0701 837 S2 320 EMatrix / Runout 0701 838 S3 320 DMatrix / Runout 0701 838 S4 320 C

 

Lacquer Cut At Phonodisc GmbHPressed By Phonodisc GmbHDistributed By Metronome Musik GmbHMade By Metronome Musik GmbHPhonographic Copyright (p) MPS RecordsData provided by Discogs
Barcode and Other Identifiers:

Rights Society GEMA
Label Code LC 0979
Matrix / Runout 0088.032-2 - 1 A (0701.837 S 1)
Matrix / Runout 0088.032-2 - 1 B (0701.837 S 2)
Matrix / Runout 0088.032-2 - 2 A (0701.838 S 1)
Matrix / Runout 0088.032-2 - 2 B (0701.838 S 2)
Matrix / Runout 0701 837 S1 320 D
Matrix / Runout 0701 837 S2 320 E
Matrix / Runout 0701 838 S3 320 D
Matrix / Runout 0701 838 S4 320 C

 

Lacquer Cut At Phonodisc GmbH
Pressed By Phonodisc GmbH
Distributed By Metronome Musik GmbH
Made By Metronome Musik GmbH
Phonographic Copyright (p) MPS Records

Data provided by Discogs
×