Johann Sebastian Bach - Helmut Walcha

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
Records are spotless // Labels are clean // Including booklet and insert // Box is VG+, some parts around the edges are a big faded
€23,99

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Genre: Classical
Style: Baroque

Tracklist:
A1. Toccata & Fuge D-moll, BWV 565 9:16
A2. Toccata & Fuge F-dur, BWV 540 15:02
B1. Toccata & Fuge Dorisch, BWV 538 13:02
B2. Toccata, Adagio & Fuge C-dur, BWV 564 15:00
C1. Fantasie & Fuge G-moll, BWV 542 12:41
C2. Fantasie G-dur, BWV 572 8:43
C3. Fantasie C-moll, BWV 562 4:28
D1. Passacaglia C-moll, BWV 582 13:33
D2. Fantasie & Fuge C-moll, BWV 537 8:51
E1. Praeludium & Fuge E-moll, BWV 548 14:26
E2. Praeludium & Fuge C-dur, BWV 547 10:20
F1. Praeludium & Fuge H-moll, BWV 544 13:34
F2. Praeludium & Fuge E-moll, BWV 534 9:42
G1. Praeludium & Fuge Es-dur, BWV 552 16:28
G2. Praeludium & Fuge G-dur, BWV 541 8:29
H1. Praeludium & Fuge C-moll, BWV 546 12:07
H2. Praeludium & Fuge A-moll, BWV 543 11:20
I1. Triosonate Nr. 1 Es-dur, BWV 525 13:05
I2. Triosonate Nr. 6 G-dur, BWV 530 13:40
J1. Praeludium & Fuge C-dur, BWV 545 6:00
J2. Praeludium & Fuge A-dur, BWV 536 6:17
J3. Praeludium & Fuge G-moll, BWV 535 7:32
K1. Triosonate Nr. 2 C-moll, BWV 526 12:10
K2. Triosonate Nr. 3 D-moll, BWV 527 14:18
L1. Triosonate Nr. 4 E-moll, BWV 528 10:16
L2. Triosonate Nr. 5 C-dur, BWV 529 15:13
M1. Praeludium & Fuge C-dur, BWV 531 6:41
M2. Praeludium & Fuge E-moll, BWV 533 4:16
M3. Fuge Uber Ein Thema Von Corelli H-moll, BWV 579 5:42
M4. Praeludium & Fuge A-moll, BWV 551 5:18
N1. Praeludium & Fuge D-dur, BWV 532 10:38
N2. Fuge Uber Ein Thema Von Legrenzi C-moll, BWV 574 7:32
N3. Praeludium & Fuge G-dur, BWV 550 6:46
O1. Canzona D-moll, BWV 588 5:58
O2. Allabreve D-dur, BWV 589 4:49
O3. Pastorale F-dur, BWV 590 12:15
P1. Praeludium & Fuge D-moll, BWV 539 7:55
P2. Fuge G-moll, BWV 578 4:06
P3. Contrapunctus XVIII Aus: Die Kunst Der Fuge D-moll, BWV 1080 10:29



 



General notes about this release (please note: our version may differ a little. see the comments above):

Comes enclosed in a fabric covered box and a 4 page booklet.

A1, B2, E2, I1 and I2 recorded at the earliest times of the stereophony between 16-19.9.1956 on the Grosse Orgel der St. Laurenskerk in Alkmaar. Holland.

A2, B1, C1-C3, D1, D2, E1, F1, F2, G1, G2, H1 and H2 recorded between 17-29.9.1962 on the Grosse Orgel der St. Laurenskerk in Alkmaar, Holland.

K1, K2, L1 and L2 recorded between 22-25.9.1969 on the Silbermann-Orgel der Kirche Saint-Pierre-le-Jeune in Strasbourg, France.

J1-J3, M1-M4, N1-N3, O1-O3 and P1-P3 recorded between 16-28.5.1970 on the Silbermann-Orgel der Kirche Saint-Pierre-le-Jeune in Strasbourg, France.

 

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