Johann Sebastian Bach - Helmut Walcha

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
Records are spotless // Labels are clean // Including booklet and insert // Box is VG+, some parts around the edges are a big faded
€23,99
€15,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

Including tax. Shipping costs are calculated at checkout

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Genre: Classical
Style: Baroque

Tracklist:
A1. Toccata & Fuge D-moll, BWV 565 9:16
A2. Toccata & Fuge F-dur, BWV 540 15:02
B1. Toccata & Fuge Dorisch, BWV 538 13:02
B2. Toccata, Adagio & Fuge C-dur, BWV 564 15:00
C1. Fantasie & Fuge G-moll, BWV 542 12:41
C2. Fantasie G-dur, BWV 572 8:43
C3. Fantasie C-moll, BWV 562 4:28
D1. Passacaglia C-moll, BWV 582 13:33
D2. Fantasie & Fuge C-moll, BWV 537 8:51
E1. Praeludium & Fuge E-moll, BWV 548 14:26
E2. Praeludium & Fuge C-dur, BWV 547 10:20
F1. Praeludium & Fuge H-moll, BWV 544 13:34
F2. Praeludium & Fuge E-moll, BWV 534 9:42
G1. Praeludium & Fuge Es-dur, BWV 552 16:28
G2. Praeludium & Fuge G-dur, BWV 541 8:29
H1. Praeludium & Fuge C-moll, BWV 546 12:07
H2. Praeludium & Fuge A-moll, BWV 543 11:20
I1. Triosonate Nr. 1 Es-dur, BWV 525 13:05
I2. Triosonate Nr. 6 G-dur, BWV 530 13:40
J1. Praeludium & Fuge C-dur, BWV 545 6:00
J2. Praeludium & Fuge A-dur, BWV 536 6:17
J3. Praeludium & Fuge G-moll, BWV 535 7:32
K1. Triosonate Nr. 2 C-moll, BWV 526 12:10
K2. Triosonate Nr. 3 D-moll, BWV 527 14:18
L1. Triosonate Nr. 4 E-moll, BWV 528 10:16
L2. Triosonate Nr. 5 C-dur, BWV 529 15:13
M1. Praeludium & Fuge C-dur, BWV 531 6:41
M2. Praeludium & Fuge E-moll, BWV 533 4:16
M3. Fuge Uber Ein Thema Von Corelli H-moll, BWV 579 5:42
M4. Praeludium & Fuge A-moll, BWV 551 5:18
N1. Praeludium & Fuge D-dur, BWV 532 10:38
N2. Fuge Uber Ein Thema Von Legrenzi C-moll, BWV 574 7:32
N3. Praeludium & Fuge G-dur, BWV 550 6:46
O1. Canzona D-moll, BWV 588 5:58
O2. Allabreve D-dur, BWV 589 4:49
O3. Pastorale F-dur, BWV 590 12:15
P1. Praeludium & Fuge D-moll, BWV 539 7:55
P2. Fuge G-moll, BWV 578 4:06
P3. Contrapunctus XVIII Aus: Die Kunst Der Fuge D-moll, BWV 1080 10:29



 



General notes about this release (please note: our version may differ a little. see the comments above):

Comes enclosed in a fabric covered box and a 4 page booklet.

A1, B2, E2, I1 and I2 recorded at the earliest times of the stereophony between 16-19.9.1956 on the Grosse Orgel der St. Laurenskerk in Alkmaar. Holland.

A2, B1, C1-C3, D1, D2, E1, F1, F2, G1, G2, H1 and H2 recorded between 17-29.9.1962 on the Grosse Orgel der St. Laurenskerk in Alkmaar, Holland.

K1, K2, L1 and L2 recorded between 22-25.9.1969 on the Silbermann-Orgel der Kirche Saint-Pierre-le-Jeune in Strasbourg, France.

J1-J3, M1-M4, N1-N3, O1-O3 and P1-P3 recorded between 16-28.5.1970 on the Silbermann-Orgel der Kirche Saint-Pierre-le-Jeune in Strasbourg, France.

 

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