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Genre:Classical Style:Baroque
Tracklist:
A1. First Contrapunctus, On The Leading Theme - 4-Part A2. Second Contrapunctus, On The Leading Theme (Slightly Modified) - 4-Part A3. Third Contrapunctus, On The Tonal Inversion Of The Theme - 4-Part A4. Fourth Contrapunctus, On The Real Inversion Of The Theme - 4-Part A5. Fifth Contrapunctus, On The Variant Of A Theme And Its Inversion- 4-Part A6. Sixth Contrapunctus, On The Same Variant, With Both Also Diminished - 4-Part B1. Seventh Contrapunctus, As In Sixth With Augmentation As Well - 4-Part B2. Eighth Contrapunctus, On Two New Subjects And Variant Of Theme - 3-Part B3. Ninth Contrapunctus, On Further New Subject And Variant Of A Theme, In Counterpoint At The Twelth - 4-Part B4. Tenth Contrapunctus, On A Further New Subject And Variant Of A Theme, In Counterpoint At The Tenth - 4-Part B5. Eleventh Contrapunctus, On The Inversion And Normal Forms Of The Three Subjects Of The Eighth - 4-Part C1. No 15, Fuga Per Canonem At The Octave On A Variant Of The Theme - 2-Part C2. No 17, Fuga Per Canonem At The Tenth On A Variant Of The Theme - 2-Part C3. No 16, Fuga Per Canonem At The Twelfth On A Variant Of The Theme - 2-Part C4. No 14a, Fuga Per Canonem By Contrary Motion With Augmentation, On A Variant Of The Theme - 2-Part C5. No 13a, Totally Invertible Counterpart In Contrary Motion On A Variant Of The Theme - 3-Part C6. No 13b, Total Inversion Of 13a C7. No 19a, Rearrangement Of 13a For Two Keyboards - 4-Part C8. No 19b, Rearrangement Of 13b For Two Keyboards - 4-Part D1. No 12a, Totally Invertible Counterpoint On A Variant Of The Theme - 4-Part D2. No 12b, Total Inversion Of 12a D3. No 18, On Three Invertible Subjects And (?) The Leading Theme, 4-Part, (Unfinished)
General notes about this release (please note: our version may differ a little. see the comments above):
Narrow Band repress (EP4)
"FFSS" Full Frequency Stereophonic Sound.
Box Set , Two Records.
Includes an 18 pages booklet.
Made in England.
A2. Second Contrapunctus, On The Leading Theme (Slightly Modified) - 4-Part
A3. Third Contrapunctus, On The Tonal Inversion Of The Theme - 4-Part
A4. Fourth Contrapunctus, On The Real Inversion Of The Theme - 4-Part
A5. Fifth Contrapunctus, On The Variant Of A Theme And Its Inversion- 4-Part
A6. Sixth Contrapunctus, On The Same Variant, With Both Also Diminished - 4-Part
B1. Seventh Contrapunctus, As In Sixth With Augmentation As Well - 4-Part
B2. Eighth Contrapunctus, On Two New Subjects And Variant Of Theme - 3-Part
B3. Ninth Contrapunctus, On Further New Subject And Variant Of A Theme, In Counterpoint At The Twelth - 4-Part
B4. Tenth Contrapunctus, On A Further New Subject And Variant Of A Theme, In Counterpoint At The Tenth - 4-Part
B5. Eleventh Contrapunctus, On The Inversion And Normal Forms Of The Three Subjects Of The Eighth - 4-Part
C1. No 15, Fuga Per Canonem At The Octave On A Variant Of The Theme - 2-Part
C2. No 17, Fuga Per Canonem At The Tenth On A Variant Of The Theme - 2-Part
C3. No 16, Fuga Per Canonem At The Twelfth On A Variant Of The Theme - 2-Part
C4. No 14a, Fuga Per Canonem By Contrary Motion With Augmentation, On A Variant Of The Theme - 2-Part
C5. No 13a, Totally Invertible Counterpart In Contrary Motion On A Variant Of The Theme - 3-Part
C6. No 13b, Total Inversion Of 13a
C7. No 19a, Rearrangement Of 13a For Two Keyboards - 4-Part
C8. No 19b, Rearrangement Of 13b For Two Keyboards - 4-Part
D1. No 12a, Totally Invertible Counterpoint On A Variant Of The Theme - 4-Part
D2. No 12b, Total Inversion Of 12a
D3. No 18, On Three Invertible Subjects And (?) The Leading Theme, 4-Part, (Unfinished)