Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
Aufnahme/Recording/Enregistrement: London, Henry Wood Hall, 3.-4. 1., 9. 5. 1978
Printed in West Germany
Gatefold cover
Barcode and Other Identifiers:
Matrix / Runout 320 // 2533 402 S 1 = 2 Matrix / Runout 320 // 2533 402 S 2 = 2 // N
Phonographic Copyright (p) Polydor International GmbH Copyright (c) Siegfried Schmalzriedt Printed By Münstermann-Druck Recorded At Henry Wood Hall, London Published By G. Henle Verlag
A2. Toccata Fis-moll BWV 910 10:44
B1. Fantasie C-moll BWV 906 5:18
B2. Präludium Und Fuge A-moll BWV 894 10:21
B3. Chromatische Fantasie Und Fuge BWV 903 10:28