John Prine - John Prine Live (2xLP, Album)

Condition:
Media:  Very Good Plus (VG+)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
comes with original inner sleeves!
€46,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Folk World & Country
Style: Country

Tracklist:
A1. Come Back To Us Barbara Lewis Hare Krishna Beauregard 3:05
A2. Six O'Clock News 3:15
A3. The Oldest Baby In The World 6:50
A4. Angel From Montgomery 4:16
B1. Grandpa Was A Carpenter 2:49
B2. Blue Umbrella 3:15
B3. Fish And Whistle 3:01
B4. Sabu Visits The Twin Cities Alone 5:47
B5. Living In The Future 3:45
C1. Illegal Smile 4:16
C2. Mexican Home 4:16
C3. Speed Of The Sound Of Loneliness 3:27
C4. The Accident (Things Could Be Worse) 2:50
C5. Sam Stone 5:06
D1. Souvenirs 3:33
D2. Aw Heck 2:33
D3. Donald And Lydia 3:50
D4. That's The Way That The World Goes Round 3:47
D5. Hello In There 4:49



 



General notes about this release (please note: our version may differ a little. see the comments above):

Digital transfer and processing: Richard Adler at Suite 2000, Nashville, TN.
Digital editing and assembly: Carlos Grier at Georgetown Masters Nashville, TN.
Mastering: Denny Purcell at Georgetown Masters Nashville, TN.

Guitar Maintenance: Alan Hamel, Liers Music, San Bernardino, CA.
Travel: Beth Tinker, Atlas Travel, San Bernardino, CA.

Some releases include "Oh Boy Records 1988 Catalog", 2 - Oh Boy Records self addressed postcards.

A1: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1975 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
A2: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1971 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
A3: Big Ears Music, Inc. / Bruised Oranges (ASCAP); Donnie Fritts Music (BMI) © 1981 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
A4: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1971 Recorded at The Arie Crown Theater, Chicago, IL by Gary Headon, Mixed by Hank Neuberger and Jim Tullio at CRC, Chicago, IL; Produced by Al Bunetta, Dan Einstein and Hank Neuberger
B1: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1973 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
B2: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1975 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
B3: Big Ears Music, Inc. / Bruised Oranges (ASCAP) © 1978 Recorded at The Cannery, Nashville, TN for (The Nashville Network) New Country by Stan Dacus and Kim Raymer, Mixed at Opryland Studios, Nashville, TN by Kim Raymer and Jim Rooney
B4: Big Ears Music, Inc. / Bruised Oranges (ASCAP) © 1978 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
B5: Big Ears Music, Inc. / Bruised Oranges (ASCAP) © 1979 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
C1: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1972 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
C2: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1973 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
C3: Big Ears Music, Inc. / Bruised Oranges (ASCAP) © 1986 Recorded at The Cannery, Nashville, TN for (The Nashville Network) New Country by Stan Dacus and Kim Raymer, Mixed at Opryland Studios, Nashville, TN by Kim Raymer and Jim Rooney
C4: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1973 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
C5: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1971 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher and at Macky Auditorium, Boulder, CO by Lee Palma, Mixed at Suite 2000, Nashville, TN by Rich Adler
D1: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1973 Recorded at KLRU-TV for Austin City Limits, Mixed by Frank Wolf and Dan Einstein at Alpha Studios, North Hollywood, CA
D2: Big Ears Music, Inc. / Bruised Oranges (ASCAP) © 1978 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
D3: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1971 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
D4: Big Ears Music, Inc. / Bruised Oranges (ASCAP) © 1977 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler
D5: Walden Music, Inc. / Sour Grapes Music (ASCAP) © 1971 Recorded at The Coach House, San Juan Capistrano, CA by Tony Beecher, Mixed at Suite 2000, Nashville, TN by Rich Adler

 

Barcode and Other Identifiers:

Rights Society ASCAP
Rights Society BMI
Matrix / Runout Q △22295 /-I OBR-005-A denny/Georgetown Masters Ron Ivy S-20441
Matrix / Runout /-I . Q △22295-X OBR-005-B denny/Georgetown Brady S-20442
Matrix / Runout /-I Q △22296 OBR-005-C denny/Georgetown Masters Weston S-20443
Matrix / Runout /-/ Q △22295-X OBR-005-D denny/Georgetown Masters Brent S-20444

 

Recorded At The Coach House, San Juan Capistrano
Recorded At Arie Crown Theater
Recorded At The Cannery, Nashville
Recorded At Macky Auditorium
Recorded At KLRU-TV
Mixed At Suite 2000
Mixed At Chicago Recording Company
Mixed At Opryland Studios
Mixed At Alpha Studios, Burbank
Engineered At Suite 2000
Edited At Georgetown Masters
Mastered At Georgetown Masters
Lacquer Cut At Sheffield Lab Matrix
Lacquer Cut At Sheffield Lab Matrix
Pressed By Rainbo Records
Pressed By Rainbo Records
Pressed By Rainbo Records
Pressed By Rainbo Records
Published By Donnie Fritts Music
Published By Walden Music Inc.
Published By Sour Grapes Music
Published By Big Ears Music, Inc.
Published By Bruised Oranges Music

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