Johnny Carroll - Crazy Hot Rock (LP, Comp)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
sleeve is in excellent condition! Has a small sticker
€14,99

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What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Rock
Style: Rockabilly

Tracklist:
A1. You Two Timed Me Two Times Too Often
A2. Crazy Crazy Lovin´
A3. Tryin´ To Get To You
A4. Rock'n'Roll Ruby
A5. Hot Rock
A6. Corrine Corrina
A7. Wild Wild Women
B1. Whiskey River
B2. Rock Baby Rock It
B3. You Made Me Love You
B4. That´s The Way I Love
B5. I´ll Wait
B6. Run Come See
B7. Trudy



 



General notes about this release (please note: our version may differ a little. see the comments above):

A1 & B3 Recorded in Dallas, Texas late 1955
A2 to A7 Recorded at Bradley's Barn, 26/4/56 (This is incorrect as the studio did not exist till 1963)
B1 Recorded at Sellers Recording Studio, Dallas, Texas, 1957
B2, B4 & B5 Recorded at Cliff Herring Studio, Fort Worth, Texas, 23/6/57
B6 & B7 Recorded at Oil & Gas Building, Dallas Texas, 1960

Bassist Billy Buntin’s name is incorrectly spelled “Billy Bunton”

 

Barcode and Other Identifiers:

Matrix / Runout CR 30241 / A
Matrix / Runout CR 30241 / B
Matrix / Runout CRB 30241 A¹ MPO
Matrix / Runout CRB 30241 B¹ MPO

 

Phonographic Copyright (p) Charly Holdings Inc.
Phonographic Copyright (p) Charly Records Ltd.
Copyright (c) Charly Records Ltd.
Licensed From Johnny Carroll
Licensed From MCA Records Ltd.
Licensed From Charly Records International APS
Licensed From Sun Records Ltd.
Recorded At Bradley Film & Recording Studios
Recorded At Clifford Herring Sound Studios, Ft. Worth, Texas
Recorded At Sellers Company Recording Studios
Recorded At Oil & Gas Building
Pressed By MPO

Data provided by Discogs
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