Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
Ⓟ 1974 RCA Records (labels). The back cover sleeve notes are in Dutch only. Stereo.
Manufactured by Inelco Nederland BV Amsterdam from master recordings owned or controlled by Radio Corporation of America.
Catalognr. ARL1 0456 is on the sleeve and catalognr. ARL 10456 is on the labels.
Publisher: Union Musical Espanola (Associated Music Publishers) Edited Llobet, BMI - track A2, A3, B1, B3
Barcode and Other Identifiers:
Rights Society STEMRA Matrix / Runout ARL 10456-A//22705-1-Y Matrix / Runout ARL 10456-B//22706-2-Y
Phonographic Copyright (p) RCA Records Manufactured By Inelco Nederland B.V. Published By Unión Musical Española Lacquer Cut At Bovema / EMI Studios Lacquer Cut At Bovema / EMI Studios
A2. Danza Española, No. 6 5:34
A3. Bajo La Palmera, Op. 232 5:40
B1. Danza Española, No. 11 6:21
B2. Variazioni Concertanti, Op. 130 11:54
B3. Evocacion ("Iberia") 5:48