Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Post Rock, Indie Rock
Tracklist:
A1. There Are Ghosts A2. The Same Stars A3. Diazapam A4. The Last Wars A5. Bass Sounds B1. Up Nights B2. Fatal Strategies B3. Outside Is The Drama B4. Not To Call The Police
General notes about this release (please note: our version may differ a little. see the comments above):
Includes a large format insert with lyrics and credits on one side.
Some copies come with an EFA distribution sticker on the rear sleeve, possibly for German distribution only.
The CD version has a slightly different cover: The LEGO® brick on the CD front cover has 2 studs, whereas this LP release features a brick with 8 studs.
[Inner sleeve:
Recorded [... during the Spring of 98 at Salad Days, Norwood, MA. Mastered [... at Abbey Road, London.
All songs copyright Geoff Farina, Jeffrey Goddard, and Gavin McCarthy, CESAC, 1998.
Barcode and Other Identifiers:
Rights Society CESAC Distribution Code LP 18554 14 Matrix / Runout D 185541 A-2-1-1 Matrix / Runout D 185541 B-01-01-1
Distributed By EFA Phonographic Copyright (p) Southern Records Copyright (c) Southern Records Copyright (c) Geoff Farina Copyright (c) Jeffrey Goddard Copyright (c) Gavin McCarthy Recorded At Salad Days Studio Mastered At Abbey Road Studios Pressed By EMI Records
