Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Post-Modern
Tracklist:
A1. Litanie 1 For Piano 10:06 A2. Litanie 2 For 3 Percussionists 9:10 B1. Litanie 3 For Orchestra 13:00 B2. Litanie 4 For Voice, Flute, Clarinet, Violin, Violoncello And Piano 13:09 C. Litanie 5 For Harpsichord And Tape (Or Several Harpsichords) 20:00 D. Litanie 5 For Harpsichord And Tape (Or Several Harpsichords) (Cont.) 20:33
General notes about this release (please note: our version may differ a little. see the comments above):
A1 written 1979. Digitally recorded at the Singel, Antwerp, 3.10.1986
A2 Recorded at BRT Studio 1, Brussels, 29.4.1980.
B1 written 1981. Recorded at BRT Studio 4, Brussels, 25.9.1981
B2 written 1982. Recorded at the Ysbreeker, Amsterdam, 4.3.1983. Recorded by N.C.R.V. Radio.
C & D written 1982. Recorded at BRT Studio 6, Brussels, 9.10.1983.
Barcode and Other Identifiers:
Recorded At BRT Studios Recorded At deSingel Recorded At De Ysbreeker
