Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Barcode and Other Identifiers:
Barcode 509994 40463 78 Barcode 5099944046378 Label Code LC00148 Rights Society SDRM/BIEM Rights Society ASCAP Rights Society BMI Matrix / Runout `!´ 5099944046378-A BC70358-01 A1 Matrix / Runout `!´ 5099944046378-B BC70358-01 B1
Phonographic Copyright (p) Capitol Records Copyright (c) Capitol Records Produced For Prescription Songs, Inc. Produced For Maratone Produced For Brooklyn Fire Remixed At Tracques Published By When I'm Rich You'll Be My Bitch Published By WB Music Corp. Published By Kasz Money Publishing Published By MXM AB Published By Kobalt Songs Music Publishing, Inc. Published By Bonnie McKee Music Published By Where Da Kasz At Published By Songs Of Kobalt Music Publishing Published By CYP Two Publishing Published By Maratone AB Published By Matza Ball Music Published By My Own Chit Published By EMI Blackwood Music Inc. Published By Each Note Counts Published By Prescription Songs Published By EMI Music Publishing Published By Ultra Tunes Published By Dipiù S.r.l. Published By Peermusic III, Ltd. Published By Dat Damn Dean Music Pressed By Optimal Media GmbH
