Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Post Bop, Cool Jazz
General notes about this release (please note: our version may differ a little. see the comments above):
Albums originally released on Prestige Records (PRLP 7081 and PRLP 7073).
All Day Long recorded at Rudy Van Gelder Studio, Hackensack, NJ on January 4, 1957. All Night Long recorded at same on December 28, 1956.
Issued in a Brilliant Box double jewel case with transparent tray and with a four-page leaflet, housed in an O-Card.
. Disc 1: All Day Long 1-1. All Day Long 18:231-2. Slim Jim 7:321-3. Say Listen 6:451-4. A.T. 6:461-5. C.P.W 5:58. Disc 2: All Night Long 2-1. All Night Long 17:152-2. Boo-Lu 6:492-3. Flickers 6:132-4. Li'l Hankie 8:252-5. Body And Soul 10:242-6. Tune Up 5:39
