Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Psychobilly, Indie Rock
Tracklist:
A1. Let's Get Real Gone 3:38 A2. Devil Train 3:32 A3. The Ballad Of Vincent Croft 2:01 A4. Black Crow 4:23 A5. Fund A Mental 4:22 B1. Legendary Bigfoot 2:35 B2. Blue Cow 2:46 B3. Luxury 2:53 B4. Franklyn Whiplash 2:07 B5. Hammer On Honey 2:19
General notes about this release (please note: our version may differ a little. see the comments above):
Tracks A1 to A4 from the Fever Records release [r=981854. Tracks A5, B1, and B2 from The Fever Records 12-inch [r=533778. No info on the rest of the tracks except track B5 is on the Dead Man's Curve compilation [r=402606.
Matrix / Runout DMC 004 A¹ MPO A Porky Prime Cut Butcherises And Pulverises. Matrix / Runout DMC 004 B² MPO The Reverend U´Tang Has Now Left The Crematorium.
Phonographic Copyright (p) Dead Man's Curve Copyright (c) Dead Man's Curve Copyright (c) Copyright Control Manufactured By Red Rhino Records Distributed By Red Rhino Records Pressed By MPO
