Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Rock Style:Noise Rock, Leftfield, Alternative Rock
Tracklist:
A1. Play Me A2. Girl With A Look A3. No Hands A4. Black Out A5. Dirty Tech A6. Not Today B1. Busy Bee B2. Square Jaw B3. Subcon B4. Post Empire B5. Nail Biter B6. ByeBye25!
General notes about this release (please note: our version may differ a little. see the comments above):
Top-opening matte sleeve.
Includes a printed inner sleeve.
Published by: Forgetful Songs (BMI), Brought To You By Heavy Duty (ASCAP) / Heavy Duty Music Publishing, Brought To You By Heavy Duty (ASCAP) / Heavy Duty Music Publishing, M.J.-Twelve Music (BMI) all administered by Kobalt Music and Anthony Paul Lopez Publishing
Barcode and Other Identifiers:
Barcode 1 91401 21981 5 Barcode 191401219815 Rights Society BMI Rights Society ASCAP Matrix / Runout OLE-2198-LP A Stratty Matrix / Runout OLE-2198-LP B Stratty
Mastered At Bernie Grundman Mastering Published By Forgetful Songs Published By Brought To You By Heavy Duty Published By Heavy Duty Music Publishing Published By M.J. Twelve Music Published By Kobalt Music Published By Anthony Paul Lopez Publishing Copyright (c) Kim Gordon Phonographic Copyright (p) Kim Gordon Licensed To Matador Records (2)
