Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Stage & Screen Style:Musical
Tracklist:
A1. Overture... Why Can't The English? 7:02 A2. Wouldn't It Be Loverly? 4:45 A3. With A Little Bit Of Luck 4:33 A4. I'm An Ordinary Man 4:51 A5. Just You Wait 3:04 A6. The Rain In Spain 4:22 A7. I Could Have Danced All Night 3:53 A8. Ascot Gavotte 2:39 B1. On The Street Where You Live 4:03 B2. The Embassy Waltz 4:27 B3. You Did It 5:31 B4. Show Me 2:19 B5. Get Me To The Church On Time 6:26 B6. A Hymn To Him 3:33 B7. Without You 2:31 B8. I've Grown Accustomed To Her Face 5:42
General notes about this release (please note: our version may differ a little. see the comments above):
On the rear sleeve the individual tracks are credited to the characters, as follows:
A1: Higgins, Pickering, Eliza, A Cockney
A2: Eliza, 1st, 2nd & 3rd Cockneys, Chorus
A3: Doolittle, Jamie, Harry*, Chorus
A4: Higgins
A5: Eliza
A6: Higgins, Eliza, Pickering, Chorus
A7: Eliza, 1st & 2nd Maids, Mrs Pearce
A8: Chorus
B1: Freddy, Mrs Pearce
B2: [no credit
B3: Higgins, Pickering, Servant, Chorus
B4: Eliza, Freddy
B5: Doolittle, Harry, Chrous
B6: Higgins, Pickering
B7: Eliza, Higgins
B8: Higgins
The only artists credited on the labels are Kiri Te Kanawa / Jeremy Irons / Warren Mitchell
Artist credits on the spine: Te Kanawa・Irons・Gielgud・Mitchell・LSO
Original orchestrations supplied through the kind assistance of [a2299570.
Recorded at Henry Wood Hall, London, February & May 1987.
Digital Recording.
Made in England [on labels perimeter text
Barcode and Other Identifiers:
Barcode 0 28942 12001 3 Distribution Code BA 640 Matrix / Runout MFL 1 A / 1▽420 EX Matrix / Runout MFL 1 B / 1▽420 EX
Phonographic Copyright (p) The Decca Record Company Limited Copyright (c) The Decca Record Company Limited Recorded At Henry Wood Hall, London Published By Chappell Music Ltd. Record Company The Decca Record Company Limited
