Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Stage & Screen Style:Soundtrack
Tracklist:
A1. Over The Rainbow A2. The Cyclone A3. The Sorceress A4. Munchkinland A5. The Wicked Witch A6. If I Only Had A Brain A7. We're Off To See The Wizard A8. The Jitterbug A9. Swan Lake/The Nutcracker B1. The Changing Of The Guard B2. The Merry Old Land Of Oz B3. Invention B4. The Wizard B5. Evening Star B6. Clair De Lune B7. Funeral March Of A Marionette B8. Danse Macabre B9. Ding-Dong! The Witch Is Dead
General notes about this release (please note: our version may differ a little. see the comments above):
Anchorage's Surreal Studios owner Kurt Riemann's all electronic interpretation of The Wizard Of Oz (as well as a few other pieces thrown in).
