Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Big City 7:45 A2. Big City (Mirko's Tool) 3:30 B1. Dark Water 6:53 B2. Big City (Ripperton's Beat Tool) 3:11
General notes about this release (please note: our version may differ a little. see the comments above):
(P)&(C) Border Community Recordings Ltd. 2006.
Made in England.
Edited and mixed @ Lovearth Studio Lausanne. Thanks to C2 for the city edit.
For label management / distribution info contact 3 Beat Label Management Ltd.
A1: 126 BPM b minor.
A2: 126 BPM b minor.
B1: 125 BPM e.
B2: 126 BPM a minor.
Barcode and Other Identifiers:
Barcode 5 060065 334378 Barcode 5060065334378
Phonographic Copyright (p) Border Community Copyright (c) Border Community Published By Copyright Control Mixed At Lovearth Studio Distributed By Amato Distribution Lacquer Cut At Heathmans Mastering
A2. Big City (Mirko's Tool) 3:30
B1. Dark Water 6:53
B2. Big City (Ripperton's Beat Tool) 3:11