Lee Konitz & Gerry Mulligan Quartet - Konitz Meets Mulligan (CD, Album, RE)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Near Mint (NM or M-)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

€5,99
€2,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Jazz
Style: Cool Jazz

General notes about this release (please note: our version may differ a little. see the comments above):

All selections are monaural. #1-5 and #7-11 were originally issued on Pacific Jazz WPM 406 and later reissued as PJ 1273 and PJ 38. #6 was originally issued on Mosaic MR5-102. #12 was originally issued on Pacific Jazz JWC 500.

Recorded at The Haig (#1-6), unknown studio (#7-9) and at Phil Turetsky's home studio (#10-12), all locations in the Hollywood-Los Angeles area, in late January 1953.

℗ © 1988 Capitol Records Inc.

Printed in Holland.

Jewel case, black tray.

For a simlilar release with SID code, see [r11225788

 

1. Too Marvelous For Words 3:362. Lover Man 3:013. I'll Remember April 4:084. These Foolish Things 3:155. All The Things You Are 3:556. Bernie's Tune 3:327. Almost Like Being In Love 2:508. Sextet 2:599. Broadway 2:5410. I Can't Believe That You're In Love With Me 3:0511. Lady Be Good 2:3812. Lady Be Good (Alternate Take) 1:52

 

Barcode and Other Identifiers:

Barcode 0 7777-46847-2 9Barcode 077774684729Rights Society BIEM/STEMRAOther DIDX 1598Mastering SID Code noneMould SID Code noneMatrix / Runout EMI 7468472 CDM01 1-2-1-NLMatrix / Runout EMI 7468472 CDM01 1-2-3-NL

 

Marketed By EMIDistributed By EMIPhonographic Copyright (p) Capitol Records, Inc.Copyright (c) Capitol Records, Inc.Pressed By EMI UdenRecorded At The HaigRecorded At Phil Turetsky's HouseGlass Mastered At CDM (10)Data provided by Discogs
Barcode and Other Identifiers:

Barcode 0 7777-46847-2 9
Barcode 077774684729
Rights Society BIEM/STEMRA
Other DIDX 1598
Mastering SID Code none
Mould SID Code none
Matrix / Runout EMI 7468472 CDM01 1-2-1-NL
Matrix / Runout EMI 7468472 CDM01 1-2-3-NL

 

Marketed By EMI
Distributed By EMI
Phonographic Copyright (p) Capitol Records, Inc.
Copyright (c) Capitol Records, Inc.
Pressed By EMI Uden
Recorded At The Haig
Recorded At Phil Turetsky's House
Glass Mastered At CDM (10)

Data provided by Discogs
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