Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Romantic, Modern
Tracklist:
A1. Pomp And Circunstance March No. 1 A2. Finale From "An American In Paris" A3. Prelude To Lohengrin Act III A4. Carnival Ouerture Op. 92 B1. Also Sprach Zarathustra Op. 30 (Opening) B2. "The Hebrides" Overture, Op. 26 (Fingal's Cave) B3. 4rth Movement (Adagietto) From Symphony No. 5 In Sharp Minor (Theme From "Death In Venice") B4. March Slave, Op. 31
General notes about this release (please note: our version may differ a little. see the comments above):
First cat# on covers. 2nd on labels.
Back cover info:
Stereo playable Mono.
Uncredited liner notes in English, only.
Shorepak sleeve was made by Shorewood Packaging Co. Ltd., England.
Center-labels info:
"Stereo" above double arrow.
Made in England.
℗ 1969 for A1
℗ 1968 for A2, A4, B2, B3 and B4
℗ 1971 for A3 and B1
Copyrights rim text message in English.
Barcode and Other Identifiers:
Matrix / Runout S 30034 AI 10 A Matrix / Runout S 30034-B2 1 A