Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz, Pop Style:Instrumental, Space-Age, Swing
Tracklist:
A1. Lover A2. Bye Bye Blues A3. The System A4. Whispering A5. I Really Don't Want To Know A6. Tennessee Waltz A7. How High The Moon B1. Little Rock Getaway B2. Sleep B3. Caravan B4. Los Angeles B5. Lady Of Spain B6. Golden Earrings
General notes about this release (please note: our version may differ a little. see the comments above):
Original UK stereo release in front-laminated cover with pinched spine endings, on Decca 'phase 4 stereo' labels.
This is currently the only release with UK Tax Code 'J/T' stamped in runouts and printed on labels as well.
Insert with history and technical data about Phase 4 Stereo, and list of other Decca Phase 4 records.
Poly-lined standard company inner sleeve with record handling instructions, 'Made In England' and 'R.S. [Robert Stace 4-68'.
The above tracklist was taken from the actual one as it appears on the labels; the cover's [front & rear tracklist is misprinted, as A1 and A7 are swapped.
A3 writing credit on cover for (Manners), but on label for (Manners; Paul).
A4 writing credit on cover for (Schonberger; [...), but on label for (M. & J. Schonberger; [...).
B2 writing credit on cover for (Earl Lebeig), but on label for (Lebieg).
B4 writing credit on cover for (Manners), but on label for (Manners; Paul).
B5 writing credit on cover for (Evans), but on label for (Evans; Reaves; Damerell).
The Decca Record Company Limited, Decca Houde, 9 Albert Embankment, London, S.E.1.
Laminated with 'Clarifoil' made by British Celanese Limited
Printed in England by Robert Stace.
Made In England • The Decca Record Co. Ltd.
Publishing:
• Fr. Melodie
• A1, B6: Famous Chappell.
• A2: F. D. & H.
• A4, B2: Darewski.
• A5: Carlin Music.
• A6: Cinephonic Music.
• A7: Chappell.
• B1: Robbins Music.
• B3: Lafleur.
• B5: P. Maurice.
Runouts are stamped.
Barcode and Other Identifiers:
Rights Society BIEM | NCB Rights Society MCPS Other J/T Other JT Matrix / Runout SAHS 1521 Matrix / Runout SAHS 1522 Matrix / Runout SAHS-1521-1W U K 10 1 JT S M A Matrix / Runout SAHS-1522-1W BM 213 JT
Record Company The Decca Record Company Limited Copyright (c) The Decca Record Company Limited Lacquer Cut At Decca Studios Pressed By Decca Record Co. Ltd., Pressing Plant, UK. Printed By Robert Stace Made By British Celanese Limited Published By France Mélodie Published By Famous Chappell Published By Francis, Day & Hunter Published By Darewski Published By Carlin Music Published By Cinephonic Music Published By Chappell Published By Robbins Music Published By Lafleur Published By Peter Maurice
A2. Bye Bye Blues
A3. The System
A4. Whispering
A5. I Really Don't Want To Know
A6. Tennessee Waltz
A7. How High The Moon
B1. Little Rock Getaway
B2. Sleep
B3. Caravan
B4. Los Angeles
B5. Lady Of Spain
B6. Golden Earrings