Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Opera
General notes about this release (please note: our version may differ a little. see the comments above):
Made in England. A Product of R.C.A. Records, London
Recordings of 78 rpm shellacs
Sticker affixed to front cover: "from U.S.A. No. CBL-101"
Made in England. A Product of R.C.A. Records, London
Recordings of 78 rpm shellacs
Sticker affixed to front cover: "from U.S.A. No. CBL-101"
Recording dates:
12/08/1930 Tracks A1, A2
02/18/1931 Track A4
02/19/1931 Track A3
03/07/1940 Tracks B1, B3 to B5
03/22/1940 Track B2
. Lakmé . Lucia Di Lammermoor . Rigoletto . Dinorah . The Barber Of Seville . Mignon B4. Estrellita B5. Villanelle
Barcode and Other Identifiers:
Matrix / Runout J3RP-0705-IAMatrix / Runout J3RP-0706-A-3AOther BIEMOther BIEM I NCB
Record Company The Decca Record Company LimitedCopyright (c) Radio Corporation Of AmericaData provided by Discogs