Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz, Pop Style:Vocal
General notes about this release (please note: our version may differ a little. see the comments above):
[Labels
Side A: From the Broadway musical "Hello, Dolly!"
Side B: From the Broadway musical "Bye Bye Birdie"
[Back cover
DILLARD et Cie. Imp. Paris
Imprimé en France
[Additional information
Sleeve variation with black fonts - there is another similar sleeve with red fonts here: [r6967065
A. Louis Armstrong And His All-Stars - Hello, Dolly! 2:23B. Louis Armstrong And His All-Stars - A Lot Of Livin' To Do 2:33
Barcode and Other Identifiers:
Matrix / Runout 16392Matrix / Runout 16393Matrix / Runout 45 KV 501 A NR 16392Matrix / Runout 45 KV 501 B NR-16393
Record Company Deutsche Vogue Schallplatten GmbHDistributed By Disques VoguePublished By ChappellPrinted By Dillard et Cie. Imp. ParisData provided by Discogs
Barcode and Other Identifiers:
Matrix / Runout 16392 Matrix / Runout 16393 Matrix / Runout 45 KV 501 A NR 16392 Matrix / Runout 45 KV 501 B NR-16393
Record Company Deutsche Vogue Schallplatten GmbH Distributed By Disques Vogue Published By Chappell Printed By Dillard et Cie. Imp. Paris
