Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz, Blues Style:Jump Blues, Big Band, Swing
Tracklist:
A1. At The Swing Cats Ball A2. Doug The Jitterbug A3. Honeysuckle Rose A4. But I'll Be Back A5. You're My Meat A6. June Tenth Jamboree A7. What's The Use Of Gettin' Sober (When You're Gonna Get Drunk Again) B1. Five Guys Named Moe B2. Is You Is Or Is You Ain't My Baby? B3. Buzz Me B4. Salt Pork, West Virginia B5. Reconversion Blues B6. How Long Must I Wait For You? B7. That Chick's Too Young To Fry C1. No Sale C2. All For The Love Of Lil C3. Texas And Pacific C4. Reet, Petite, And Gone C5. Sure Had A Wonderful Time C6. Open The Door, Richard C7. Barnyard Boogie D1. Early In The Morning D2. Daddy-O D3. Onions D4. Psycho-Loco D5. Lemonade D6. Chartreuse D7. Fat Sam From Birmingham
General notes about this release (please note: our version may differ a little. see the comments above):
Gatefold sleeve.
Original recording locations and dates, publishers:
A1: New York, Mar. 29, 1939, 65309, Braun Music Co.
A2: New York, Mar. 29, 1939, 65308, Copyright Control
A3: New York, Nov. 14, 1939, 66872, Campbell Connelly/ Redwood Music
A4: New York, Nov. 14, 1939, 66874, Copyright Control
A5: New York, Nov. 14, 1939, 66876, MCA Music Ltd.
A6: New York, Jan. 25, 1940, 67111, Copyright Control
A7: New York, Jul. 21, 1942, 71126, MCA Music Ltd.
B1: New York, Jul. 21, 1942, 71132, MCA Music Ltd.
B2: Los Angeles, Oct. 4, 1943, DLA3205A, MCA Music Ltd.
B3: New York, Jan. 19, 1945, 72709, Anglo Pic Music Co. Ltd.
B4: New York, Jul. 16, 1945, 72979, Anglo Pic Music Co. Ltd
B5: New York, Oct. 15, 1945, 73082, Anglo Pic Music Co. Ltd
B6: New York, Jul. 16, 1945, 72977, Anglo Pic Music Co. Ltd
B7: New York, Jan. 23, 1946, 73307, Anglo Pic Music Co. Ltd
C1: New York, Jun. 26, 1946, 73642, Copyright Control
C2: New York, Oct. 10, 1946, 73716, Anglo Pic Music Co. Ltd
C3: New York, Oct. 10, 1946, 73717, Anglo Pic Music Co. Ltd
C4: New York, Oct. 10, 1946, 73719, Anglo Pic Music Co. Ltd
C5: New York, Oct. 10, 1946, 73720, Copyright Control
C6: Los Angeles, Jan. 23, 1947, DLA4351, MCA Music Ltd.
C7: New York, Apr. 23, 1947, 73883, Anglo Pic Music Co. Ltd
D1: New York, Apr. 23, 1947, 73885, Anglo Pic Music Co. Ltd
D2: Los Angeles, Dec. 8, 1947, DLA4634, F.D. & H./ EMI
D3: New York, Apr. 12, 1949, 74836, Copyright Control
D4: New York, Apr. 12, 1949, 74839, Copyright Control
D5: New York, Aug. 18, 1950, 76738, Anglo Pic Music Co. Ltd
D6: New York, Aug. 18, 1950, 76737, Copyright Control
D7: New York, Jun. 13, 1951, 81153, Lynn Music Corp. (HP)
Phonographic Copyright (p) Charly Records Ltd. Copyright (c) Charly Records Ltd. Licensed From MCA Records Ltd. Mastered At The Sound Clinic Pressed By MPO Published By Braun Music Co. Published By Copyright Control Published By Campbell Connelly Published By Redwood Music Published By MCA Music Ltd. Published By Anglo-Pic Music Co. Ltd. Published By Francis, Day & Hunter Published By EMI Published By Lynn Music Corp.
