Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Renaissance
Tracklist:
A1. Carmen In Ré (Pommer I+II, Posaune, Dulzian, Spinett) 1:07 A2. Bicinia (Pommer I+II) 0:58 A3. Im Maien (Tenor, Schlagzeug, Spinett, Pommer I+II, Posaune, Dulzian) 1:36 A4. Lust Hab Ich G'Habt Zuer Musica (Tenor, Sopran-Blockflöte, Fidel, Gambe) 2:32 A5. Was Wird Es Doch Des Wunders Noch (Laute) 2:51 A6. Ich Schell' Mein Horn (Laute) 1:02 A7. Ich Schell' Mein Horn (Tenor, Spinett, Pommer, Posaune, Dulzian) 2:03 A8. Ich Schell' Mein Horn (Spinett) 1:06 A9. Carmen (Pommer I+II, Posaune, Dulzian, Spinett) 0:54 A10. Ich Weiß Nit Was Er Ihr Verhieß (Tenor, Blockflöte, Fidel, Dulzian) 0:45 A11. Ich Weiß Nit Was Er Ihr Verhieß (2 Tenöre, Blockflöte, Fidel, Spinett, Dulzian) 0:58 A12. Carmen In La (Blockflöte, Fidel, Gambe) 2:36 A13. Unsäglich Schmerz (Tenor, Fidel, Gambe, Dulzian) 4:11 A14. Lamentatio-Carmen (2 Blockflöten, Fidel, Gambe, Laute) 1:18 A15. Will Niemand Singen (Tenor, 2 Tenor-Blockflöten, Fidel, Gambe) 2:15 A16. Die Brünnlein Die Da Fließen (Sopran, 2 Tenöre, Sopran-Blockflöte, Laute, Spinett, Fidel, Alt-Dulzian, Krummhorn, Gambe, Posaune) 2:37 B1. Ach Elslein, Liebes Elselein (Laute) 0:48 B2. Ach Elslein, Liebes Elselein (Sopran, Baß-Blockflöte, Fidel, Gambe) 1:34 B3. Es Taget Vor Dem Walde (Sopran, Spinett, Pommer, Fidel, Posaune, Dulzian) 3:11 B4. Wann Ich Des Morgens Früeh Aufsteh' (2 Tenöre, Blockflöte, Fidel, Gambe) 3:26 B5. Ach Elslein, Liebes Elselein / Es Taget Vor Dem Walde / Wann Ich Des Morgens Früeh Aufsteh' (Sopran, 2 Tenöre, Sopran-Blockflöte, Spinett, Laute, Fidel, Tenor-Dulzian, Tenor-Krummhorn, Posaune) 1:50 B6. Ich Armes Maidlein (Spinett) 1:38 B7. S'Io Non Venni, Non Importa (Sopran, Baß-Blockflöte, Fidel) 1:54 B8. Mein Fleiß Und Müeh' (Laute) 1:46 B9. Tandernak (Tenor-Blockflöte, Fidel, Posaune, Dulzian, Gambe) 2:37 B10. Mit Lust Tät Ich Ausreiten (Sopran, Tenor, Sopran-Blockflöte, Fidel, Gambe, Spinett) 3:50 B11. Ach Gott, Wem Soll Ich Klagen - Ich Armer Mann (Sopran, Tenor, Fidel, Krummhorn, Gambe) 3:4 B12. Ich Stuend An Einem Morgen (Fidel, Gambe, Krummhorn) 2:29 B13. Ich Stuend An Einem Morgen (Spinett) 2:29
General notes about this release (please note: our version may differ a little. see the comments above):
