Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Romantic
General notes about this release (please note: our version may differ a little. see the comments above):
℗ 1980 (op. 56)/1970 (op. 84 & 62)/1965 (op. 72b) Polydor International GmbH, Hamburg
© 1980 Thomas Kohlhase • © 1980/1985 Richard Osborne
Made in France by PMDC on CD front.
. Konzert Für Klavier, Violine, Violoncello Und Orchester C-dur, Op. 56, »Tripelkonzert« . Ouvertüren . Egmont, Op. 84 . Coriolan, Op. 62 . Fidelio, Op. 72b
Barcode and Other Identifiers:
Barcode 0 28941 52762 2Label Code LC 0173SPARS Code ADDPrice Code POL 925Price Code G HMatrix / Runout 415 276-2 04 + 1FMatrix / Runout Made in France by PMDCMould SID Code IFPI 0268
Phonographic Copyright (p) Polydor International GmbHMade By PMDC, FrancePrinted By NeefData provided by Discogs