Ludwig van Beethoven - Anneliese Rothenberger, Walter Berry, Nicolai Gedda, Hermann Prey, Jan Eyron, Gerald Moore, Erik Werba

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
Records NM // Cover NM with slight ringwear
€6,99

What determines the price? Read more.

What determines the price?

Why is one record cheaper than another?

Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.

Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.

What makes the difference in price?

For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.

Which variant should I choose?

If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.

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Genre: Classical
Style: Classical

Tracklist:
A1. O Welch Ein Leben! Arie Aus Dem Singspiel "Die Schöne Schusterin"
A2. Soll Ein Schuh Nicht Drücken Arie Aus Dem Singspiel "Die Schöne Schusterin"
A3. Kontretanz Nr. 6 C-Dur; Nr. 7 Es-Dur; Nr. 8 C-Dur; Nr. 9 A-Dur
A4. Abbé Stadler (Kanon) (Signor Abate!)
A5. Marmotte Op. 52 Nr. 7 (Ich Komme Schon Durch Manches Land)
A6. An Mälzel (Ta Ta Ta, Lieber Mänzel)
A7. Wiener Tanz Nr. 1 Es-Dur; Nr. 2 B-Dur (Mödlinger Tänze)
A8. Punschlied (Wer Nicht, Wenn Warm Von Hand Zu Hand)
B1. Prüfung Des Küssens (Meine Weise Mutter Spricht)
B2. Deutscher Tanz Nr. 8 A-Dur; Nr. 10 D-Dur
B3. Im Arm Der Liebe Ruht Sich's Wohl (Kanon)
B4. Der Kuß Op. 128 (Ich War Bei Chloen Ganz Allein)
B5. Es Muß Sein (Kanon)
B6. Wiener Tanz Nr. 3 C-Moll (Mödlinger Tanz)
B7. Mit Mädeln Sich Vertragen
B8. Deutscher Tanz Nr. 12 C-Dur "Tanz Mit Dem Posthorn"
C1. Tiroler Lied (Ih Mag Di Nit Nehma, Du Töppeter Hecht)
C2. Deutscher Tanz Nr. 3 F-Dur; Nr. 4 B-Dur
C3. Teppich-Krämer-Lied (I Bin A Tyroler Bua)
C4. Deutscher Tanz Nr. 5 Es Dur
C5. Kontretanz Nr. 12 Es-Dur
C6. Bester Herr Graf (Kanon)
C7. Bester Magistrat
C8. Wiener Tanz Nr. 9 G-Dur (Mödlinger Tanz)
D1. Der Zufriedene (Zwar Schuf Das Glück Hienieden)
D2. Der Floh Op. 75 Nr. 3 (Es War Einmal Ein König)
D3. Wiener Tanz Nr. 5 Es-Dur; Nr. 6 Es-Dur (Mödlinger Tänze)
D4. Lob Auf Den Dicken (Schupanzigh Ist Ein Lump)
D5. Esel Aller Esel
D6. Wiener Tanz Nr. 10 A-Dur (Mödlinger Tanz)
D7. Tiroler Lied (Wer Solche Buema Afipackt)
D8. Wiener Tanz Nr. 11 D-Dur; Nr. 7 B-Dur (Mödlinger Tänze)
D9. A Madel, Ja A Madel
D10. Wiener Tanz Nr. 8 B-Dur; Nr. 4 Es-Dur (Mödlinger Tänze)



 



General notes about this release (please note: our version may differ a little. see the comments above):

Cover Vorne: Untertitel: Meisterwerke des musikalischen Humors; EMI His Master's Voice; hinten: Electrola Gesellschaft M.B.H. Köln
Platte 1: 1 C 163-28 522 X; Platte 2: 1 C 163-28 523 X; je EMI Electrola Die Stimme seines Herrn

 

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