Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz, Blues Style:Vocal
Tracklist:
A1. Jealousy Blues A2. Shave 'Em Dry A3. Farewell Daddy Blues A4. Oh My Babe Blues A5. Soon This Morning A6. Don't Fish In My Sea B1. Countin' The Blues (Tk. 3) B2. Sissy Blues B3. Log Camp Blues B4. Hustlin' Blues B5. Ma And Pa Poorhouse Blues B6. Big Feeling Blues
General notes about this release (please note: our version may differ a little. see the comments above):
Reissued by special arrangement with John Steiner.
Issued under license from Biograph.
A1: Chicago, c. March 1926.
A3: Chicago, c. August 1924.
A4: New York, January 1926.
A6: Chicago, c. February 1927.
B1: New York, 16 October 1924.
B2: Chicago, c. August 1926.
B4: Chicago, c. June 1928.
B6: Chicago, c. October and December 1928.
On track A1, saxophonist Stump Evans is erroneously credited as Stump Johnson.
Barcode and Other Identifiers:
Barcode 099882 234516 Matrix / Runout BMLP 1048 A-1 SW A Matrix / Runout BMLP 1048 B-1 SW A
Phonographic Copyright (p) The Magnum Music Group Copyright (c) The Magnum Music Group Licensed From Biograph
