Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Garage Rock, Psychedelic Rock
General notes about this release (please note: our version may differ a little. see the comments above):
Earliest copies were issued in a picture sleeve, but the vast majority are sleeveless. Copies in picture sleeve have darker printing on the labels -- see final picture -- but runouts are identical and clearly all copies were made from the same pressing plates.
Catalog and matrix show A squares with superscript 2: A²-333.
Pressing and cutting derived from "ARP"stamp and "BellSound" stamp with "Sol" etching respectively.
Produced by John Sinclair/Trans-Love Energies for Russ Gibb Productions
Engineer: Danny Dallas, United Sound Systems/Detroit
Sleeve: An A-Square Production under the supervision of Jeep Holland
Labels: An A² Produciton
A. Looking At You 2:40B. Borderline 3:10
Barcode and Other Identifiers:
Pressing Plant ID ARPRights Society BMIMatrix / Runout A2-333-AMatrix / Runout A2-333-BMatrix / Runout A2-333A BellSound Sol ARPMatrix / Runout A2-333A ARP BellSound Sol
Record Company A2 ProductionsProduced For Russ Gibb ProductionsPublished By Total Energy MusicEngineered At United Sound SystemsLacquer Cut At Bell Sound StudiosPressed By American Record Pressing Co.Data provided by Discogs
Barcode and Other Identifiers:
Pressing Plant ID ARP Rights Society BMI Matrix / Runout A2-333-A Matrix / Runout A2-333-B Matrix / Runout A2-333A BellSound Sol ARP Matrix / Runout A2-333A ARP BellSound Sol
Record Company A2 Productions Produced For Russ Gibb Productions Published By Total Energy Music Engineered At United Sound Systems Lacquer Cut At Bell Sound Studios Pressed By American Record Pressing Co.
Earliest copies were issued in a picture sleeve, but the vast majority are sleeveless. Copies in picture sleeve have darker printing on the labels -- see final picture -- but runouts are identical and clearly all copies were made from the same pressing plates.
Catalog and matrix show A squares with superscript 2: A²-333.
Pressing and cutting derived from "ARP"stamp and "BellSound" stamp with "Sol" etching respectively.
Produced by John Sinclair/Trans-Love Energies for Russ Gibb Productions
Engineer: Danny Dallas, United Sound Systems/Detroit
Sleeve: An A-Square Production under the supervision of Jeep Holland
Labels: An A² Produciton
A. Looking At You 2:40B. Borderline 3:10
Barcode and Other Identifiers:
Pressing Plant ID ARPRights Society BMIMatrix / Runout A2-333-AMatrix / Runout A2-333-BMatrix / Runout A2-333A BellSound Sol ARPMatrix / Runout A2-333A ARP BellSound Sol
Record Company A2 ProductionsProduced For Russ Gibb ProductionsPublished By Total Energy MusicEngineered At United Sound SystemsLacquer Cut At Bell Sound StudiosPressed By American Record Pressing Co.Data provided by Discogs