Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Funk / Soul, Non-Music Style:Soul, Funk, Spoken Word
General notes about this release (please note: our version may differ a little. see the comments above):
All tracks 1968 under license from Universal Music Operations Ltd.
1. Lilly Done The Zampughi Everytime I Pulled Her Coattail 7:152. Mirror Mirror On The Wall 4:393. Collest Place In Town 3:174. You Can Get Up Before Noon Without Being A Square 3:275. The Dozens 5:056. Tenth And Greenwich (Women's House Of Detention) 9:067. Come Raising Your Leg On Me 4:168. Sera Sera Jim 4:159. Catch That On The Corner 6:59
All tracks 1968 under license from Universal Music Operations Ltd.
1. Lilly Done The Zampughi Everytime I Pulled Her Coattail 7:152. Mirror Mirror On The Wall 4:393. Collest Place In Town 3:174. You Can Get Up Before Noon Without Being A Square 3:275. The Dozens 5:056. Tenth And Greenwich (Women's House Of Detention) 9:067. Come Raising Your Leg On Me 4:168. Sera Sera Jim 4:159. Catch That On The Corner 6:59
Barcode and Other Identifiers:
Barcode 5 013929 598751
Phonographic Copyright (p) RPM RetrodiscCopyright (c) RPM RetrodiscData provided by Discogs