Merritt Brunies & His Friars Inn Orchestra - 1924-26 (LP, Comp)

Condition:
Media:  Near Mint (NM or M-)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

€5,99

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Genre: Jazz

Tracklist:
A1. Up Jumped The Devil
A2. Follow The Swallow
A3. Angry
A4. (I Don't Know Why) I Weep Over You
A5. Flag That Train
A6. Clarinet Marmalade
A7. Sugar Foot Stomp
A8. Want A Little Lovin'
A9. She's Got 'Em
B1. Up Jumped The Devil
B2. I'm As Blue As The Blue Grass Of Kentucky
B3. When Autumn Leaves Are Falling
B4. Flamin' Mamie
B5. Hangin' Around
B6. Up Jumped The Devil
B7. Masculine Women! Feminine Men!
B8. Someone's Stolen My Sweet, Sweet Baby



 



General notes about this release (please note: our version may differ a little. see the comments above):

A1: 613-2; Autograph (un-numbered); Chicago, September, 1924
A2: 614; Autograph (un-numbered); Chicago, September, 1924
A3: 661; Autograph 610-B; Chicago, November, 1924
A4: 662; Autograph 610-A; Chicago, November, 1924
A5: 793; Autograph 624-B; Chicago, May, 1925
A6: 817; Autograph 624-A, Chicago, June, 1925
A7: 9491-A; Okeh 40526-B; Chicago, November 14, 1925
A8: 9492-B; Okeh 40526-A; Chicago, November 14, 1925
A9: 9493-A; Okeh Test; Chicago, November 14, 1925
B1: 9494-A; Okeh Test; Chicago, November 14, 1925
B2: 9539-A; Okeh 40576-A;
B3: 9540-B; Okeh 40576-B;
B4: 9541-A; Okeh 40579-A;
B5: 9542-A; Okeh 40579-B;
B6: 9549-A; Odeon A.60268; Chicago, March 2, 1926
B7: 9551-A; Okeh 40593-B; Chicago, March 2, 1926
B8: 9552-A; Okeh 40593-A; Chicago, March 2, 1926

Note on A6: Examined microscopically, the grooves of 793 and 817 appear to be of identical pitch, width and conformation. This could suggest that the two sides of Autograph 624 were cut on the same day; further than that they may have been made on the same day as the Morton - de Faut duets (791/792). Alas, examination of Autograph 623 has not been possible. The extraordinarily Mortonesque piano solo on "Clarinet Marmalade" (the structure of the chords, notably that in the third bar and the short "rip" in the seventh) suggests that Morton may have sat in as he did with the New Orleans Rhythm Kings some two years earlier.

 

Barcode and Other Identifiers:

Matrix / Runout RF 1273
Matrix / Runout RF 1274
Matrix / Runout RF 1273 RAY
Matrix / Runout RF 1274 RAY

 

Pressed By Statetune Ltd.
Printed By Senol Printing Ltd.
Distributed By Retrieval Recordings Limited
Published By Musical Copyrights Ltd.
Published By Redwood Music Ltd.
Published By Francis, Day & Hunter Ltd.
Published By Keith Prowse Music Pub. Co. Ltd.
Published By United Partnership Ltd.
Published By Herman Darewski Music Publ. Co.
Published By Lawrence Wright Music Ltd.
Published By Copyright Control

Data provided by Discogs
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