Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Bop, Hard Bop, Cool Jazz
Tracklist:
A1. Take-Off A2. Weirdo A3. Would'n You A4. I Waited For You A5. Ray's Idea (Alternate Master) A6. Donna B1. Well You Needn't B2. The Leap B3. Lazy Susan B4. Tempus Fugit (Alternate Master) B5. It Never Entered My Mind
General notes about this release (please note: our version may differ a little. see the comments above):
℗ 1954 Réédition de 1982
This is most probably a French pressing for export markets. It is quite similar to the French edition, down to the matrix/run-out numbers, but bears the boxed inscription BIEM on the labels, which is Phonographic copyright company for Holland, Greek etc..
Barcode and Other Identifiers:
Matrix / Runout 1502 A 21 M6 337 798 3 Matrix / Runout 1502 B 21 M6 337 799 3 Rights Society SACEM SDRM SACD SGDL Rights Society BIEM Price Code PM251
Manufactured By Pathé Marconi EMI Distributed By Pathé Marconi EMI Printed By Glory (2) Pressed By Pathé Marconi EMI, Chatou Pressed By Pathé Marconi EMI, Chatou
