Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Dixieland
Tracklist:
A1. I'm Coming, Virginia A2. Apex Blues A3. Wang Wang Blues A4. St. James' Infirmary A5. Georgia On My Mind B1. Savoy Blues B2. Mahogany Hall Stomp B3. It's Right Here For You B4. I Ain't Got Nobody B5. After You've Gone
General notes about this release (please note: our version may differ a little. see the comments above):
Recorded in Chicago, 1954.
On labels: "Recording first published 1966".
Composer credits are confusing:
. Apex Blues (A2) credited on release to Williams instead of usual Jimmy Noone
. Wright as co-writer of St James Infirmary (A4) probably for publisher [a670990 founder of [l311902
. It's Right Here For You (B3) credited on release to Bradford instead of Alex Belledna and Marion Dickerson (may be because Perry Bradford wrote Crazy Blues, issued on same shellac, see here)
A2. Apex Blues
A3. Wang Wang Blues
A4. St. James' Infirmary
A5. Georgia On My Mind
B1. Savoy Blues
B2. Mahogany Hall Stomp
B3. It's Right Here For You
B4. I Ain't Got Nobody
B5. After You've Gone