Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic Style:Synth-pop
General notes about this release (please note: our version may differ a little. see the comments above):
EMI-Manhattan™
℗ 1989 EMI-USA, a division of Capitol Records, Inc.
Made in EEC
A. Miss You Like Crazy 3:53B. Good To Be Back 4:20
Phonographic Copyright (p) EMI USARecord Company Capitol Records, Inc.Manufactured By EMI ElectrolaRecorded At Ocean Way RecordingRecorded At O'Henry Sound StudiosRecorded At Conway StudiosRecorded At Can-Am RecordersMixed At Ocean Way RecordingMixed At Can-Am RecordersEngineered At HitsvilleProduced For Tuneworks Records, Inc.Mastered At Bernie Grundman MasteringData provided by Discogs
Phonographic Copyright (p) EMI USA Record Company Capitol Records, Inc. Manufactured By EMI Electrola Recorded At Ocean Way Recording Recorded At O'Henry Sound Studios Recorded At Conway Studios Recorded At Can-Am Recorders Mixed At Ocean Way Recording Mixed At Can-Am Recorders Engineered At Hitsville Produced For Tuneworks Records, Inc. Mastered At Bernie Grundman Mastering
