Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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A1. Happy Land 1:34 A2. The Proposition #1 3:23 A3. Road To Banyon 1:38 A4. Down To The Valley 3:45 A5. Moan Thing 2:43 A6. The Rider #1 1:12 A7. Martha's Dream 3:06 A8. Gun Thing 4:25 B1. Queenie's Suite 3:27 B2. The Rider #2 2:57 B3. The Proposition #2 2:40 B4. Sad Violin Thing 0:48 B5. The Rider #3 1:06 B6. The Proposition #3 2:58 B7. The Rider Song 2:29 B8. Clean Hands, Dirty Hands 3:35
General notes about this release (please note: our version may differ a little. see the comments above):
All tracks published by Mute Song Ltd. Except 'Martha's Dream', 'Queenie's Suite' and 'Clean Hands. Dirty Hands' published by Mute Song Ltd./BMG Rights Management (UK) Ltd.
Phonographic Copyright (p) Mute Records Ltd. Copyright (c) Surefire 3 Film Production LLP Copyright (c) Pacific Film And Television Commission Copyright (c) UK Film Council Licensed To Mute Records Ltd. Published By Mute Song Ltd. Published By BMG Rights Management (UK) Limited Recorded At Air Edel Studios Mastered At The Exchange Lacquer Cut At Alchemy Mastering
