Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
With a folded insert
(P) 1984 Amon Ra Records, England
. Renaissance Guitar A1a. Fantasia Del Quarto Tono A1b. Romanesca: O Guardame Las Vacas A1c. Branle De Poictou A1d. Pimontoyse . Vihuela A2a. Fantasia Del Quarto Tono A2b. La Cancion Del Emperador: Mille Regres (Josquin) A2c. Fantasia Que Contrahaze la Harpa En La Manera De Ludovico . 5 Course Venetian Guitar c. 1640 And Virginals By Onofrio Guarracino, Italy 1668 A3. Sinfonia A 2 . 5 Course Guitar By Dias (?) c. 1590 A4a. Passacalles A4b. Canarios . 5 Course Guitar By Salomon c. 1760 . Suite In D Minor . Fabricatore 1818 B1. Grande Ouverture Op. 61 (1814) . Panormo 1828 B2. Introduction And Variations On A Theme Of Mozart ("Oh Cara Armonia" From The Magic Flute) Op. 9 (1821) . French Guitar c. 1825 And Fortepiano By Michael Rosenberger, Vienna c. 1800 B3. "Variations De Beethoven Arrangees Pour Piano Et Guitare" Op. 169 . Panormo 1843 B4. Lied Ohne Worte
