Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz Style:Post Bop
Tracklist:
A1. It Happened In Monterey 2:58 A2. This Can't Be Love 2:31 A3. Love For Sale 3:28 A4. Cottontail 2:21 A5. Moten Swing 2:52 A6. Honey Dripper 2:23 B1. Come Dance With Me 2:22 B2. That Old Black Magic 3:00 B3. Ol' Man River 2:35 B4. I Love Paris 2:10 B5. C Jam Blues 3:23 B6. A Fine Romance 3:06
General notes about this release (please note: our version may differ a little. see the comments above):
Early repress version with still the same label design as the initial version, but different 20 mm press ring with 3 dots around the spindle hole.
On the rear cover the printer company is different and also Deutsche Grammophon, Hamburg is vacant here. This version obviously dates 1973.
Initial release with same label design, but 30 mm diameter press ring around the spindle hole and different printer company Georg Westermann
A1, B1 recorded in Paris, May 18, 1959
A2, A3, A4, B2, B3, B4, B6 recorded in Chicago, July 1959
A5, B5 recorded in Los Angeles, December 15, 1962
Printed in Germany [back sleeve
Mfd. by Deutsche Grammophon Gesellschaft [labels
Orginal American Recordings licensed and trademark registered by Metro-Goldwyn-Mayer Inc.,
New York U.S.A.
Artist on front sleeve and spine: Oscar Peterson
Artist on back sleeve and labels: Oscar Peterson Trio
Title on back sleeve and labels: Jazz Spectrum, Vol. III
Barcode and Other Identifiers:
Rights Society GEMA Pressing Plant ID 20 mm press ring with 3 dots Matrix / Runout ℗ 1963 C71 ◊V 00 2356 003 S1 Matrix / Runout ℗ 1963 C71 ◊V 00 2356 003 S2
Licensed From MGM Records Licensed From Metro-Goldwyn-Mayer, Inc. Manufactured By Deutsche Grammophon Gesellschaft Printed By Gerhard Stalling AG Published By Leo Feist, Inc. Published By Chappell & Co., Inc. Published By Harms, Inc. Published By Robbins Music Published By Peer International Published By Northern Music Published By Maraville Music Corp. Published By Famous Music (4) Published By Buxton Hill Music Lacquer Cut At Deutsche Grammophon Gesellschaft Pressing Plant Pressed By Phonodisc GmbH
A2. This Can't Be Love 2:31
A3. Love For Sale 3:28
A4. Cottontail 2:21
A5. Moten Swing 2:52
A6. Honey Dripper 2:23
B1. Come Dance With Me 2:22
B2. That Old Black Magic 3:00
B3. Ol' Man River 2:35
B4. I Love Paris 2:10
B5. C Jam Blues 3:23
B6. A Fine Romance 3:06