Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Classical Style:Musique Concrète, Serial
Tracklist:
A1. Batterie Fugace 2:12 A2. Bidule En Ut 2:00 A3. Fantasia 4:39 A4. Dimanche Noir I 2:35 A5. Tarn Tarn II 2:24 A6. Tam Tam Concret 2:34 A7. Tam Tam III 3:30 A8. Micro Rouge I 2:30 A9. Tabou Clairon 1:25 B1. Tam Tam IV 3:30 B2. Vocalises 2:41 B3. Sonatine 4:20 B4. Antiphonie 3:00 B5. Micro Rouge II 3:15 B6. Tam Tam I 4:29 B7. Dimanche Noir II 2:43
General notes about this release (please note: our version may differ a little. see the comments above):
—Extra info—
The pieces of the suite "Le microphone bien tempéré" were composed between 1950 and January 1952.
Premiered May, 23, 1952 at Conservatoire de Musique de Paris (Paris, France).
