Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Garage Rock, Indie Rock
General notes about this release (please note: our version may differ a little. see the comments above):
Inlay & disc:
*[track 1 From the forthcoming Mute LP "174283" (CDSTUMM230)
Inlay:
Tracks 1 & 3 published by Redpoint Music Ltd./Chrysalis Music
Track 2 published by Redpoint Music Ltd./Chrysalis Music/copyright control
Mastered at The Soundmasters, London
Phonographic Copyright (p) Mute Records Ltd.Copyright (c) Mute Records Ltd.Distributed By Vital (2)Published By Redpoint Music Ltd.Published By Chrysalis MusicPublished By Copyright ControlMastered At The SoundmastersGlass Mastered At EMI UdenPressed By EMI UdenData provided by Discogs
Phonographic Copyright (p) Mute Records Ltd. Copyright (c) Mute Records Ltd. Distributed By Vital (2) Published By Redpoint Music Ltd. Published By Chrysalis Music Published By Copyright Control Mastered At The Soundmasters Glass Mastered At EMI Uden Pressed By EMI Uden
