Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
Including tax.
Shipping costs
are calculated at checkout
×
Shipping Policy
How long shipping takes depends on your address and the shipping method you selected.
Shipping within the Netherlands, Belgium and Germany takes 1 to 2 days, while international
shipping can take 1 to 4 weeks. You will receive a tracking code once we have shipped your
order so you can follow the delivery status.
1 in stock
Would you like to give this record as a gift?
×
Gift wrapping
Would you like to give this record as a gift?
We wrap it beautifully for you, with quality wrapping paper, stickers and ribbon.
Perfect for birthdays, Christmas gifts or other occasions.
In your shopping cart, tick “Add gift wrapping (€1,99)” for each product
you would like to receive wrapped.
This is what your gift will look like:
Curious how we wrap your record festively?
Click here
✓
Pickup available at Vinyleers warehouse (open on weekdays)
Usually ready within 24 hours
Genre:Rock Style:Alternative Rock, Garage Rock, Punk, Surf
General notes about this release (please note: our version may differ a little. see the comments above):
Recorded live March 4th, 1995 at the Blowhole Lounge on the Strip at Big Bear.
Nick Scott played a Kima child's drumset, Charlie Hutchinson blew up at Hartke Systems bass amp with his Washburn, and Alan Anderson played a Gretsch through a tiny tweed Fender Deluxe*
Mixed at Cat Hork Studios "where we work 'til we hork on the cat."
* "Al hates Fenders" Greg Two lips 1995
Mistakes included!
Front cover says "Live In Big Bear" but on the spine it reads "Live At Big Bear". Given that the companion film to this CD is also called "Live In Big Bear", the spine is likely an error.
Track 11 is slightly mistitled, it should be "I Can't Escape Myself".
Track 13 is amusingly misattributed to Harris/Wynne instead of Lee Hazlewood. One can only surmise that somehow the writing credits for Kon Kan's "Puss In Boots/These Boots Are Made For Walking" got fouled up with the original "These Boots Are Made For Walking" when Popdefect went looking for the writing credits to put on this release! Strange.
Track 17 is unlisted on the sleeve. Part 1 is a short excerpt of dialogue from the film "Live At Big Bear", part 2 is one minute of silence, and part 3 is an untitled surf-rock instrumental.
1. (Intro) 0:462. Secret Of The Shadow 2:093. Bloody Knuckles 3:024. Love Potion #9 2:055. Envy-Jealousy 3:066. Squaresville 2:567. Prickle Goes To Work 2:118. Lonesome Train (On A Lonesome Track) 2:189. Ode To Billie Joe 6:3210. The Moth 3:2711. Can't Escape Myself 3:3812. Drunken Sailor 3:4313. These Boots Are Made For Walkin' 3:0114. Brain Twister 3:3015. Strychnine 4:0016. Slow Rev 5:2917.1. (Film Dialogue) 2:3517.2. (Silence) 1:0017.3. (Instrumental) 3:56