Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock, Pop Style:Prog Rock, Psychedelic Rock, Beat, Pop Rock, Symphonic Rock
Tracklist:
A1. Whiter Shade Of Pale A2. Homburg A3. Too Much Between Us A4. A Salty Dog A5. The Devil Came From Kansas B1. Whaling Stories B2. Good Captain Clack B3. All This And More B4. Quite Rightly So B5. Shine On Brightly C1. Grand Hotel C2. Bringing Home The Bacon C3. Toujours L'Amour C4. Broken Barricades C5. Power Failure D1. Conquistador (Live) D2. Nothing But The Truth D3. Butterfly Boys D4. Pandora's Box D5. Simple Sister
General notes about this release (please note: our version may differ a little. see the comments above):
Made in W. Germany
A1 ℗ 1966. Westminster Music Ltd.
A2 ℗ 1967. Westminster Music Ltd.
A3 ℗ 1969. Westminster Music Ltd.
A4 ℗ 1969. Westminster Music Ltd.
A5 ℗ 1969. Westminster Music Ltd.
B1 ℗ 1970. Westminster Music Ltd./Bluebeard Music
B2 ℗ 1967. Westminster Music Ltd.
B3 ℗ 1969. Westminster Music Ltd.
B4 ℗ 1968. Westminster Music Ltd.
B5 ℗ 1968. Westminster Music Ltd.
C1 ℗ 1973. Bluebeard Music/Rondor Music
C2 ℗ 1973. Bluebeard Music/Rondor Music
C3 ℗ 1973. Bluebeard Music/Rondor Music
C4 ℗ 1971. Bluebeard Music/Rondor Music
C5 ℗ 1971. Bluebeard Music/Rondor Music
D1 ℗ 1972. Westminster Music Ltd.
D2 ℗ 1974. Bluebeard Music/Rondor Music
D3 ℗ 1974. Bluebeard Music/Rondor Music
D4 ℗ 1974. Bluebeard Music/Rondor Music
D5 ℗ 1971. Bluebeard Music/Rondor Music
A1 to B5 licensed from C-Era Records Ltd./Cube Records Ltd.
C1 to D5 licensed from Chrysalis Records Ltd.
Mastering method: Direct mastering ('DM' in runouts).
A, B, C & D runouts are stamped, 'II' (sides B, C & D) etched.
Barcode and Other Identifiers:
Barcode 5 013428 032008 Barcode 5013428032008 Pressing Plant ID Bass clef symbol Matrix / Runout DM B-3551 A-2/85 S T Matrix / Runout DM B-3551 B-2/85 S T II Matrix / Runout DM B-3552 A-2/85 S T II Matrix / Runout DM B-3552 B-2/85 S T II
Phonographic Copyright (p) Castle Communications Ltd. Copyright (c) Castle Communications Ltd. Licensed From C-Era Records Ltd. Licensed From Cube Records Ltd. Licensed From Chrysalis Records Ltd. Pressed By Sonopress Published By Westminster Music Ltd. Published By Bluebeard Music Published By Rondor Music Mastered At Sonopress
A2. Homburg
A3. Too Much Between Us
A4. A Salty Dog
A5. The Devil Came From Kansas
B1. Whaling Stories
B2. Good Captain Clack
B3. All This And More
B4. Quite Rightly So
B5. Shine On Brightly
C1. Grand Hotel
C2. Bringing Home The Bacon
C3. Toujours L'Amour
C4. Broken Barricades
C5. Power Failure
D1. Conquistador (Live)
D2. Nothing But The Truth
D3. Butterfly Boys
D4. Pandora's Box
D5. Simple Sister