Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Rock Style:Alternative Rock, Avantgarde
General notes about this release (please note: our version may differ a little. see the comments above):
Engineered at Riverside Studios.
The first pressing included a postcard. An identical pressing was made in February 1986 and reissued along with BAD 5, CAD 105 and BAD 311. This pressing did not include the postcard.
℗ 1982 4 A.D.
No printed track durations.
A. Some Velvet Morning 4:28B. I Fell In Love With A Ghost 6:59
Barcode and Other Identifiers:
Matrix / Runout BAD 210 A² BilBo Tape One MPOMatrix / Runout BAD 210 B¹ BilBo Tape One MPO
Phonographic Copyright (p) 4ADPressed By MPOPublished By Lee Hazlewood Music Corp.Published By CarlinPublished By Copyright ControlProduced At Riverside Studios, LondonLacquer Cut At Tape OneData provided by Discogs
Barcode and Other Identifiers:
Matrix / Runout BAD 210 A² BilBo Tape One MPO Matrix / Runout BAD 210 B¹ BilBo Tape One MPO
Phonographic Copyright (p) 4AD Pressed By MPO Published By Lee Hazlewood Music Corp. Published By Carlin Published By Copyright Control Produced At Riverside Studios, London Lacquer Cut At Tape One
