Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Blues Style:Rhythm & Blues
Tracklist:
A1. Mighty Mighty Man A2. Boogie At Midnight A3. Cadillac Baby A4. Hard Luck Blues A5. Love Don't Love Nobody A6. Too Much Lovin' Ain't No Good A7. Big Town A8. Rock-A-Bye-Baby B1. Answer To Big Town B2. Ain't No Rockin' No More B3. My Gal From Kokomo B4. Fannie Brown Got Married B5. Black Diamond B6. Shake 'Em Up Baby B7. Adorable One B8. Good Looking And Foxy Too
General notes about this release (please note: our version may differ a little. see the comments above):
Individual Track Recording info :
Track A1 : New Orleans, c. 1947
Track A2 : Dallas September 29th 1949
Track A3 : Cincinnati April 19th 1950
Track A4 : Cincinnati April 19th 1950
Track A5 : Cincinnati June 15th 1950
Track A6 : Cincinnati June 15th 1950
Track A7 : Cincinnati January 16th 1951
Track A8 : Cincinnati September 27th 1951
Track B1 : Cincinnati September 27th 1951
Track B2 : New Orleans May 27th 1954
Track B3 : New Orleans May 27th 1954
Track B4 : New Orleans September 2nd 1954
Track B5 : New Orleans September 2nd 1954
Track B6 : Cincinnati June 16th 1955
Track B7 : Cincinnati 7th 1959
Track B8 : Cincinnati 7th 1959
An original KING recording
Licensed from Gusto Records Inc., Nashville, Tennessee
Special thanks to Moe Lytle
Barcode and Other Identifiers:
Licensed From Gusto Records, Inc. Record Company King Records (3)
