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For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Latin, Folk World & Country Style:Flamenco
Tracklist:
A1. Dawn A2. Coffee Shop A3. Selection Of The Bulls A4. Street Scene . In The Afternoon B1. Entrance To The Arena - The Bullfight B2. Fiesta B3. Street Brawl B4. Lovers In The Night
General notes about this release (please note: our version may differ a little. see the comments above):
A High Fidelity Record
Full Color Fidelity
A product of ABC-Paramount Records, Inc.
[Technical Data
Sabicas: The Day of the Bullfight was recorded on September 19, 1958, at Beltone Recording Studios, 4 West 31st Street, New York City, and on October 27, 1958, at Webster Hall, 199 West 11th Street, New York City. The engineer at Beltone was Irv Greenbaum, and the equipment uses there was Telefunken microphones balanced through a specially designed 16-input stereo console with a signal-to-noise of over 80 decibels. At Webster, the engineer was Bob Simpson, who used telefunken microphones fed through a custom RCA stereo console
[Playback Data
The RIAA equalization curve should be used: crossover 500 cps; rolloff, 13.75 db at 10 kc. Playback capabilities of the recording are 20 cps to over 20,000 cps.
[Credits
All the photographs on both the covers and the inside pages were taken in spain by Vincent Kehoe, who is preparing a picture-and-text documentary for publication by Hastings House. The liner design and annotation are by David Drew Zingg. Front and back cover design is by Matt Schutz. Printed in U.S.A. A product of the Am-Par Record Corporation.
