Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Classical Style:Renaissance, Baroque
General notes about this release (please note: our version may differ a little. see the comments above):
Recording:
CD 1: Oratorio di S. Nicolò del Ceppo, Florence, Italy, 1999
CD 2: Chiesa di Pizzo Fontanelle, Parma, Italy, 1999
CD 3: Chartreuse de Valbonne, Gard, France, 2003
CD 1: Total Time 46'00''
CD 2: Total Time 60'24''
CD 3: Total Time 73'00''
Digipak.
. First Book Of Madrigals Arias For A Single Voice From The 1st Book Of Madrigals 1-1. Piangete, Occhi Mieilassi 1:571-2. O Qunate Volt`Invan 1:211-3. Tanto È‘l Martir D’Amore 2:021-4. Ohimé, Se Tanto Amate 1:551-5. Com’È Dolc’Il Gioire 2:331-6. O Mirtillo, Mirtillo 2:371-7. Tu Parti A Pena Giunto 1:111-8. In Dolci Lacci 1:201-9. Anima Del Cor Mio 1:521-10. Ahi, Tu Parti, O Mia Luce 1:301-11. Nel Tuo Bel Sen Si Strugge 2:201-12. O Dolcezz’Amarissime D’Amore 5:131-13. Vaghe Luci Amorose 1:201-14. Cor Mio, Deh Non Languire 1:391-15. Udite, Lacrimosi 1:551-16. Mia Vita, S’Egli È Vero 1:151-17. Dolcemente Dormiva La Mia Clori 1:551-18. Tirsi Mio, Caro Tirsi 1:591-19. Cor Mio, Mentr’Io Vi Miro 1:241-20. Ah Dolente Partita 1:541-21. Ed È Pur Ver Ch’Io Parta 1:191-22. Parlo, Misero, O Taccio’? 2:011-23. Amor, Se Pur Degg’Io 2:05. Madrigaletti opus 13 2-1. Temer, Donna Non De 2:082-2. Riede La Primavera 1:422-3. Volò Nei Tuoi Begl’Occhi 1:472-4. Poiché Mori Dicesti 1:542-5. Ho Sì Nell’Alma Impresso 1:432-6. Non È Questo Il Ben Mio? 1:252-7. S’Io Pales Il Mio Foco 1:182-8. Alma Dell’Alma Mia 1:512-9. Messager Di Speranza 2:452-10. Ahi Ben Ti Veggio, Ingrata 1:442-11. Voi Dite C’Io Son Giaccio 1:382-12. Vago Augelletto 3:362-13. Gradita Libertà 5:272-14. Pargoletta Che Non Sai 3:232-15. Vo’ Volar Lontan Da Te 3:172-16. Tra Mill’E Mille Belle 1:332-17. Fillide Vuol Ch’Io Viva 1:362-18. Zeffiro Torna 3:23. Six Madrigals For A Single Voice And Theorbo 2-19. Anima Del Cor Mio 2:092-20. Ohimè Se Tanto Amate 2:312-21. Tirsi Mio 2:172-22. Udite Lacrimosi Spirti 2:582-23. Cor Mio Deh Non Languire 5:582-24. Parlo Misero, O Taccio 2:20. Canti Di Salomone In 3 parts 3-1. Sonata Sopra L’Aria Di Ruggiero + 7:463-2. Yit Gaddal (Kaddish) 3:293-3. First Sinfonia Bar’chu / Ad Libitum: Repeat 5:533-4. Seventh Sinfonia + Mizmor (Psalm 82) 4:303-5. Eighteenth Sinfonia + Lamnatseach (Psalm 12) 4:043-6. Ninth Sinfonia + Shir Hamma (Psalm 128) 4:293-7. Sonata Detta La Moderna + 3:563-8. Ele Mo’adei Adonai (Lev. 23,4) 0:413-9. Sonata Detta La Casalasca + 3:58. Sonata And Psalms 3-10. Blessed Is The Man That Feareth The Lord (Psalm 112) (Prelude Isabella Leonarda) 7:093-11. Hear Me O Lord (Psalm 4) 3-12. Sonata (Hunc Librum Scripsit Gulielmus Armstrong): Adagio-…- Adagio – Vivace) 6:223-13. Blessed Is He That Considereth (Psalm 41) 6:00. Motet 3-14. Domine, Dominus Noster (Psalm 8)