Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz, Blues Style:Piano Blues, Swing
Tracklist:
A1. Lem Johnson And His Washboard Band - Queen Street Blues 2:33 A2. Lem Johnson - Going Down Slow 3:13 A3. Lem Johnson And His Washboard Band - Louise Louise 2:44 A4. Perline Ellison - Razor Totin' Mama 3:16 A5. Perline Ellison - New That Ain't Right 2:57 A6. Ollie Shepard & His Kentucky Boys - The Numbers Blues 2:58 A7. Ollie Shepard & His Kentucky Boys - Sweetest Thing Born 3:03 B1. Bea Booze - These Young Men 3:19 B2. Bea Booze - So Good 3:18 B3. Jimmie Gordon - Sail With Me 2:31 B4. Yack Taylor - Whip It To A Jelly 3:01 B5. Yack Taylor - Chicago Bound Blues 3:12 B6. Christine Chatman - Bootin' The Boogie 3:12 B7. Christine Chatman - The Boogie Woogie Girl 2:45
General notes about this release (please note: our version may differ a little. see the comments above):
Recordings from 1938-1944.
"Harlem Blues" on front cover.
Runouts are hand-etched. On side A runout there is a block "░ ░ ░ ░" of crossed over illegible characters after "BT 5002 A". On side B runout "5" is crossed over with "2" below.
Recording dates:
- A1, A3: NYC, December 6, 1940
- A2: NYC, May 16, 1942
- A4, A5, B1, B2: NYC, March 9, 1944
- A6, A7: NYC, April 18, 1939
- B3: NYC, May 18,1938
- B4, B5: NYC, July 23, 1941
- B6, B7: NYC, April 6, 1944
Barcode and Other Identifiers:
Rights Society SIAE Matrix / Runout BT 5002 A Matrix / Runout BT ̶5̶ 2002 B 2
Record Company Contact Records S.r.l. Copyright (c) Contact (2) Phonographic Copyright (p) Contact (2)
