Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Stage & Screen Style:Soundtrack, Musical
Tracklist:
A1. Overture: Promise Of Greatness A2. Angry Guy/Lovely Day A3. Don't Wanna Be No Superstar A4. Operator A5. Screaming Clocks (The Dummies Song) A6. The History Of Stand-Up Comedy A7. Dreams Of Heaven A8. Don't Wanna Be No Superstar (Reprise) A9. Kamikaze Kabaret B1. The American Dream B2. What A Ride B3. The "Hello Fellas" TV Special World Tour B4. A Father Now B5. "Three Guys Naked From The Waist Down" Theme B6. Dreams Of Heaven (Reprise) B7. I Don't Believe In Heroes Anymore B8. Promise Of Greatness (Finale)
General notes about this release (please note: our version may differ a little. see the comments above):
Gatefold LP of musical comedy stage production
Henry Aronson - Conductor/Pianist
Paul Sullivan - Synthesizers
Seth Glassman - Bass
Glenn Rhian - Drums/Percussion
Phil Granger - Trumpet, Piccolo Trumpet
Rick Heckman, Bob Keller - Reeds
Brian Koonin - Guitar
Orchestra Contractor - Seymour Red Press