Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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General notes about this release (please note: our version may differ a little. see the comments above):
[Side A:
Edgar Lustgarten is reading from "Death on the Crumbles (1924)", from the BBC Radio show Scales of Justice.
Ivan Berg Associates (Audio Publishing Ltd)
This is the second Issue with reprinted, corrected song title on the back cover (first issue of this release comes with wrong spelling, "Bullett" is written with one T only). Also, credits for photographer, model, make-up, etc. are not mentioned on the back cover.
Duration for the B-side tracks no mentioned on label.
A. Dead Eyes Opened 6:35B1. Bullett 2:45B2. Mount 2:16
Record Company Red FlamePhonographic Copyright (p) Ink RecordsCopyright (c) Ink RecordsPublished By Red Flame MusicPublished By Virgin Music Ltd.Published By Ivan Berg Associates (Audio Publishing Ltd.)Pressed By MPOData provided by Discogs
Record Company Red Flame Phonographic Copyright (p) Ink Records Copyright (c) Ink Records Published By Red Flame Music Published By Virgin Music Ltd. Published By Ivan Berg Associates (Audio Publishing Ltd.) Pressed By MPO