Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
What makes the difference in price?
For records that are not new, the market value is determined by scarcity and the condition of both the record and the sleeve. Pricing is based on supply and demand, and whether a version is limited or numbered.
Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Jazz, Stage & Screen Style:Vocal
Tracklist:
A1. Flat Fleet Floogie A2. Chinatown, My Chinatown A3. That's What You Call Romance A4. Ti-Pi-Tin A5. 8, 9, And 10 A6. Dancing On The Beach A7. Oh, Lady Be Good A8. Ferdinand The Bull B1. Tutti Frutti B2. Look-A There B3. Humpty Dumpty B4. Jump Session B5. Laughin' In Rhythm B6. Vol Vist Du Gaily Star B7. Dopey Joe B8. Sweet Safrona
General notes about this release (please note: our version may differ a little. see the comments above):
A1 to A4 recorded February 17, 1938
A5 to A8 recorded May 3, 1938
B1 to B3 recorded June 27, 1938
B4 to B6 recorded August 17, 1938
B7 to B8 recorded November 9, 1938
Songwriting credit for track A6 reads "Linde-Bloom". John Linde and Bobby Bloom did write a song "Dancing On The Beach" but this was in the 1960s. Ascap returns Bulee Gaillard as composer of this song.
