Slim Gaillard - Cement Mixer Put-Ti Put-Ti (LP, Album, Comp)

Condition:
Media:  Very Good Plus (VG+)
Sleeve:  Very Good Plus (VG+)

Check our condition explanation here.

What does the record grading mean?

We grade each record using the Goldmine Standard. Full explanation can be found here.

M (Mint) – Unplayed, still sealed in original packaging.

NM (Near Mint) – Played a few times, no defects; cover almost like new.

VG+ (Very Good Plus) – Light signs of use, plays excellent; minimal cover wear.

VG (Very Good) – Clearly used, audible noise or clicks; worn cover.

G (Good) – Heavily played, noise likely; cover with visible damage.

Generic – Original cover missing, record comes in a generic sleeve.

Comments:
light storage wear
€8,99

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Genre: Jazz, Pop
Style: Novelty, Vocal

Tracklist:
A1. Jam Man
A2. Scotchin' With The Soda
A3. Cement Mixer
A4. Cuban Rumbarini
A5. Drei Six Cents
A6. Three Handed Boogie
A7. Groove Juice Jive
A8. Laguna Oroonee
B1. Tip Light
B2. Arabian Boogie
B3. The Hogan Song
B4. Money, Money, Money
B5. Organ Oreenee
B6. Little Red Riding Hood
B7. When Banana Skins Are Falling
B8. Bongo Cito



 



General notes about this release (please note: our version may differ a little. see the comments above):

Slim Gaillard's name is spelled incorrectly on the front cover and spine but correctly elsewhere.

A1: L.A. 1947 (?)
A2, A3: L.A. 12/1/1945
A4 to A7: L.A. 12/20/1945
A8: L.A. 1945
B1 to B4: L.A. 1947
B5 to B8: New York Sept. 1949

Tom Lord's Jazz Discography has different info in some places:
(with original 78rpm releases)
A1: c. May 1946; Atomic 250
A2, A3: Dec. 1, 1945; Cadet 201
A4: Dec. 1, 1945; Cadet 203; Gaillard on piano, not Marmarosa
A5: Dec. 15, 1945; Atomic 230
A6, A7: Dec. 20, 1945; Cadet 204
A8: late 1945; Bee-Bee 101
B1, B2: Feb. 11, 1947; MGM 10017
B3, B4: Dec. 15, 1947; MGM 10164
B5: Nov. 11, 1949; MGM 10599; add Armando Peraza on congas
B6: Oct. 1, 1947; MGM 10599; prob. Marmarosa on piano, Bam Brown on bass
B7, B8: Nov. 11, 1949; MGM 10938; add Armando Peraza on congas
All recorded in Los Angeles.

 

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