Some albums were released in multiple versions (pressings). There is the first pressing, which can be very valuable to collectors. When that stock runs out, a new pressing is made, called a repress or re-issue. These are often slightly different, such as a different sleeve or heavier vinyl.
Sometimes older albums are remastered, improving the sound quality. A new pressing is made for this as well. Differences in artwork or small production errors can also make a specific version more attractive.
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Which variant should I choose?
If it’s mainly about the music, a repress is a good choice. An original or numbered edition has a different kind of appeal.
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Genre:Electronic, Pop Style:Experimental, Avantgarde
General notes about this release (please note: our version may differ a little. see the comments above):
Comes in a black, die cut outer sleeve with silver "Snatch" logo on both sides.
Spine text: "FETISH SNATCH FET 004"
There are no durations and no performance or production credits listed on this release.
B-side ends in a locked groove.
The first copies included, as an insert, a single sticker sheet with two cassette labels, presumably for suggested home-taping use. These cassette labels bear the Fetish logo and a prepared track listing of the tracks from this 12" as well as the entire Snatch discography to date in chronological order (listing both US and UK catalogue numbers). This list includes the previous two Snatch singles – 479237 (1977, listed here as 1976) and [r=836359 (1978, listed here as 1977) – and the Eno collaboration 'R.A.F.' from the B-side of [r=391558.
The side B track 'Red Army' uses the same samples and loops as the Brian Eno/Snatch collaboration 'R.A.F.' (news broadcasts, snatches of dialogue, the whistle and shout, etc.), being effectively a different version of the same idea.
